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anthropovisuality | Translating Visuality to Textuality

Translating Visuality to Textuality

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anthropovisuality | Translating Visuality to Textuality | anthropovisuality.wordpress.com Reviews
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Translating Visuality to Textuality
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1 anthropovisuality
2 materiality of religion
3 the missing shot
4 reference
5 leave a comment
6 1 comment
7 viva observational cinema
8 and children underground
9 2 comments
10 references
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anthropovisuality | Translating Visuality to Textuality | anthropovisuality.wordpress.com Reviews

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Translating Visuality to Textuality

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07UYA_4517 | anthropovisuality

https://anthropovisuality.wordpress.com/2013/01/28/the-festival-of-flesh/07uya_4517

Translating Visuality to Textuality. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. Follow Blog via Email. Join 17 other followers.

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Between a Torture Chamber and a Throne Room* | anthropovisuality

https://anthropovisuality.wordpress.com/2013/02/17/between-a-torture-chamber-and-a-throne-room

Translating Visuality to Textuality. Between a Torture Chamber and a Throne Room*. 1] Memory vs. Becoming. It is commonplace among the most eloquent theorists of the photographic, from Benjamin and Barthes to Sontag, to tend toward melancholy analyses which connect the photograph to the lost moment, to an image of mortality. However, Deleuzian concept of time inspired few critiques to go beyond the memory and see, as Sutton did in the book Photography, Cinema, Memory: The Crystal Image of Time. December ...

3

137864_191 | anthropovisuality

https://anthropovisuality.wordpress.com/2013/01/28/the-festival-of-flesh/137864_191

Translating Visuality to Textuality. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. Follow Blog via Email. Join 17 other followers.

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Final Project: Inside/ Outside the Whale | anthropovisuality

https://anthropovisuality.wordpress.com/2013/04/20/final-project-inside-outside-the-whale

Translating Visuality to Textuality. Final Project: Inside/ Outside the Whale. It is the link to the final project. Although, you all are very busy to watch it, you will make me more than happy to give me feedback because it is an ongoing project and the video installation is supposed to be held in May. April 20, 2013. One Comment to “Final Project: Inside/ Outside the Whale”. April 22, 2013 at 7:00 pm. Reblogged this on Visual Anthro@CEU Blog. Leave a Reply Cancel reply. Enter your comment here.

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What Color is Black-and-White? | anthropovisuality

https://anthropovisuality.wordpress.com/2013/02/02/what-color-is-black-and-white

Translating Visuality to Textuality. What Color is Black-and-White? Looking at Daniel’s photos, we were convinced that if they were black-and-white, it would change the underlying meaning of them. In this week, I came across a book ‘What Color is the Sacred? In which Michael Taussing discusses about Malinowski’s photos in the Trobriand Islands. He is so exasperated with the photo that he calls it fake. And then follows that fake is too harsh and he should call it staged. Taussing, Michael (2009). Wha...

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Week 4: The Language of Photography – Whose Language? | serendipityscraps

https://serendipityscraps.wordpress.com/2013/02/19/week-4-the-language-of-photography-whose-language

A Visual Anthropology Blog. Week 4: The Language of Photography Whose Language? I have always tended to envision photography (the visual) and language (the verbal) in terms of a relationship, rather as an exchange in the sense given by Victor Burgin, in which photography is a complex of exchanges between the verbal and the visual (in Mitchell, 1994: 282-3 [1]. While browsing through the POYi (Pictures of the Year International) the 70th Winners list [2]. Which is not accompanied by language? And if you m...

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Week 6: The Fiction of Reality. Through Vertov’s ‘Kino-Eye’ | serendipityscraps

https://serendipityscraps.wordpress.com/2013/04/12/week-6-the-fiction-of-reality-through-vertovs-kino-eye

A Visual Anthropology Blog. Week 6: The Fiction of Reality. Through Vertov’s ‘Kino-Eye’. Watching Vertov’ Man with a Movie Camera. For the second time, I found it strangely ethnographic in the sense used by Vaughan (1992) [i]. Namely, Vertov in the position of a cine-anthropologist , but paradoxically not because of his neutrality in documenting ( Documentary and its obsession with realism ) but more because of his structure of reality through editing and montage. Extract from Vertov’s Manisfesto –.

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Week 9 Play and Revelation: Rouch’s Chronique d’un été and Mads Brügger’s Ambassador | serendipityscraps

https://serendipityscraps.wordpress.com/2013/04/14/week-9-play-and-revelation-rouchs-chronique-dun-ete-and-mads-bruggers-ambassador

A Visual Anthropology Blog. Week 9 Play and Revelation: Rouch’s Chronique d’un été and Mads Brügger’s Ambassador. In this film, the anthropologist, Jean Rouch, and the sociologist, Edgar Morin, explore the ground of cin. Specifically it can be claimed that the movie is an etno-fiction because of the open script that explores this central motive of acting naturally or challenging the naturalness in front of the camera. This leads to a second point of view, which is the revelation. Although, this veils the...

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Week 5: Ways of seeing. Photo Wallahs | serendipityscraps

https://serendipityscraps.wordpress.com/2013/03/10/week-5-ways-of-seeing-photo-wallahs

A Visual Anthropology Blog. Week 5: Ways of seeing. Photo Wallahs. MacDougall’s text opened up many viewpoints on photography’s ‘play’ with the ways of seeing. Specifically, imagined as a mirror that doubles us, photography is considered a form of representation that lacks mediation but still, it becomes hard to tell if the represented self is the real lasting one or just temporary that re-identify us. Within these lines, MacDougall mentions two types of photographies. On the ‘cemetery culture’ in Ukrain...

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Week 8 Observational Cinema: Tim Ash, Maysles Brothers, Frederick Wiseman | serendipityscraps

https://serendipityscraps.wordpress.com/2013/04/14/week-8-observational-cinema-tim-ash-maysles-brothers-frederick-wiseman

A Visual Anthropology Blog. Week 8 Observational Cinema: Tim Ash, Maysles Brothers, Frederick Wiseman. This was by far my favorite session in the Visual Anthropology class because of the screenings’ ‘marathon’ that began from the same start line: the debate around cinéma verité. Or the observational cinema, understood mainly as direct cinema or being without a narrator’ voice. After the Ax Fight , we watched some extracts from Salesman. 2003) and The Yes Men Fix the World. Leave a Reply Cancel reply.

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Photographs of the Soviet Union in WWII | serendipityscraps

https://serendipityscraps.wordpress.com/2013/01/23/photographs-of-the-soviet-union-in-wwii

A Visual Anthropology Blog. Photographs of the Soviet Union in WWII. One thought on “ Photographs of the Soviet Union in WWII. June 21, 2013 at 3:28 pm. Thanks for your personal marvelous posting! I quite enjoyed reading it, you’re a great author.I will always bookmark your blog and will come back at some point. I want to encourage you continue your great job, have a nice day! Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Follow Blog via Email.

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Week 3: Between exoticizing and documenting: photography as ethnography? | serendipityscraps

https://serendipityscraps.wordpress.com/2013/01/26/week-3-between-exoticizing-and-documenting-photography-as-ethnography

A Visual Anthropology Blog. Week 3: Between exoticizing and documenting: photography as ethnography? To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never have; it turns people into objects that can be symbolically possessed. Just as a camera is a sublimation of the gun, to photograph someone is a subliminal murder – a soft murder, appropriate to a sad, frightened time. Susan Sontag, On Photography. 3 thoughts on “ Week...

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iuliafvacaroiu | ethnisual

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A critical lens on visual anthropology. What stillness cannot evoke. January 25, 2013. My post on Leni Riefenstahl’s photos of the Nuba can be found at the following link. WordPress keeps erasing it when I try to post it here. Posted in Weekly entries. January 20, 2013. Coming from a University with an important background in social aid or, rather, teaching about social aid, you only ever get one perspective of the homeless. It’s always. Are the ones who are hungry,. Nanook meets North Korea. His acclaim...

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Final project | Being Visual

https://beingvisual.wordpress.com/2013/04/19/final-project

April 19, 2013. The final version of my very first documentary is here:. My ethnographic movie experiment is about an old shoemaker, who runs a tiny shop in Budapest. This entry was posted in Budapest. A local about locals. On why the public transport system in Brussels made me a proud Central European citizen. One response to “. April 21, 2013 at 22:34. Reblogged this on Visual Anthro@CEU Blog. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

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Anthropovision : le monde vue de Québec

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Translating Visuality to Textuality. April 22, 2013. Lost and Found: Bird’s way. Cinema fulfills the same desire. Seeing cinema in Benjaminian way, the secularized rituals in cinema offers a messianic hope that although the aura of art is lost, the masses can seek their articulation in this medium. This wishful thinking is close to the hopeful ending of the movie that new generation is to come. 8230;……………. Wright,Melanie J. 2007. I.B.Tauris and Co Ltd, New York. April 20, 2013. Although, you all are very...

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