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{kin}aesthetic composure | assembling adēlon | brianneradke.wordpress.com Reviews

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1

Kessen, Kathleen, Cecelia Traugh, and Felix Perez III. “Descriptive Inquiry as Contemplative Practice.” | {kin}aesthetic composure

https://brianneradke.wordpress.com/2016/12/30/kessen-kathleen-cecelia-traugh-and-felix-perez-iii-descriptive-inquiry-as-contemplative-practice

Kessen, Kathleen, Cecelia Traugh, and Felix Perez III. “Descriptive Inquiry as Contemplative Practice.”. December 30, 2016. January 18, 2017. Kessen, Kathleen, Cecelia Traugh, and Felix Perez III. “Descriptive Inquiry as Contemplative Practice.” Teachers College Record. Vol 108, no. 9, Sept. 2006, pp. 1862-80. Phemomenological study is, as Van Manen (2011) noted,. In that it uses specially practiced modes of questioning, reflecting, focusing, intuiting, etc. . . . . [It] is explicit i...In that the human...

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{kin}aesthetic composure | assembling adēlon | Page 2

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George, Diana. “From Analysis to Design: Visual Communication in the Teaching of Writing.”. January 27, 2017. Panagia, Davide. “The Photographs Tell It All” [Epilogue]. January 25, 2017. January 25, 2017. Panagia, Davide. “The Viewing Subject”. January 25, 2017. January 25, 2017. January 24, 2017. February 10, 2017. Barry, Lynda. Syllabus: Notes from an Accidental Professor. (1). January 24, 2017. February 6, 2017. January 20, 2017. January 25, 2017. January 18, 2017. January 21, 2017. Newer posts →.

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Massumi, Brian. “The Inmost End” The Power at the End of the Economy | {kin}aesthetic composure

https://brianneradke.wordpress.com/2017/01/08/massumi-brian-the-inmost-end-the-power-at-the-end-of-the-economy

Massumi, Brian. “The Inmost End” The Power at the End of the Economy. January 8, 2017. January 11, 2017. Massumi, Brian. The Power at the End of the Economy. Durham And London, Duke University Press, 2015. The ‘rationality of the economy’ is a precarious art of snatching emergent order out of affect. The creeping suspicion is that the economy is best understood as a division of the affective arts (2). Self-interestedness remains ‘unconditional.’ It is measured in satisfaction … Para...The rational risk c...

4

smash. | {kin}aesthetic composure

https://brianneradke.wordpress.com/2017/01/07/smash

January 7, 2017. January 9, 2017. Today my daughter and i participated in an origami workshop in one of our favorite art-ing spaces. it was an über peaceful way to spend a saturday. the instructor was patient and kind as he walked us through bunny, mouse, crane, dragon, heart. Most of our work required precision, correctness, uniformity. but often times, near the end, once structure had been established, we were told to gently pull an edge to wherever we thought it should be and ‘now smash it! As my daug...

5

Punctum: Reflections on Photography, edited by Séamus Kealy | {kin}aesthetic composure

https://brianneradke.wordpress.com/2017/01/05/punctum-reflections-on-photography-edited-by-seamus-kealy

Punctum: Reflections on Photography, edited by Séamus Kealy. January 5, 2017. January 12, 2017. Punctum: Reflections on Photography. Edited by Séamus Kealy, Salzburg, Salzburger Kunstverein, 2014. Groys compares/contrasts Barthes’s analysis of mother-referent photographs to Siegfried Kracauer’s analysis of his grandmother’s photos in. 8211;or even is. Is not a quality of an individual photograph; rather it is a relation of the photograph to its context–real or fictional. One can produce. In an “ine...

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{kin}aesthetic composure | assembling adēlon

To visitors: process. collected notes and thoughts. please be generous with the shifting, drafty stages of [co]evolution. many thanks, b. Sontag, “In Plato’s Cave”. January 11, 2017. January 11, 2017. Massumi, Brian. “The Inmost End” The Power at the End of the Economy. January 8, 2017. January 11, 2017. January 7, 2017. January 9, 2017. Punctum: Reflections on Photography, edited by Séamus Kealy. January 5, 2017. January 12, 2017. Rogoff, Irit, “Studying Visual Culture”. January 2, 2017. January 2, 2017.

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