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Britten the Performer | The Online Edition of Britten's Performance Annotations

Funded by the AHRC. He was not overly histrionic. His rehearsals were totally concerned with phrasing and balance. He would ask for a particular tone colour something quite rare for a conductor. We all recognised him as an important musician. Somehow, every performance was an event none was routine." Emanuel Hurwitz. In performance the analysis should be forgotten and the pieces played as if they were at that moment being composed." Benjamin Britten. The Arts and Humanities Research Council.

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Britten the Performer | The Online Edition of Britten's Performance Annotations | brittenperforms.org Reviews
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Funded by the AHRC. He was not overly histrionic. His rehearsals were totally concerned with phrasing and balance. He would ask for a particular tone colour something quite rare for a conductor. We all recognised him as an important musician. Somehow, every performance was an event none was routine. Emanuel Hurwitz. In performance the analysis should be forgotten and the pieces played as if they were at that moment being composed. Benjamin Britten. The Arts and Humanities Research Council.
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7 quick links
8 interviews
9 name
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Britten the Performer | The Online Edition of Britten's Performance Annotations | brittenperforms.org Reviews

https://brittenperforms.org

Funded by the AHRC. He was not overly histrionic. His rehearsals were totally concerned with phrasing and balance. He would ask for a particular tone colour something quite rare for a conductor. We all recognised him as an important musician. Somehow, every performance was an event none was routine." Emanuel Hurwitz. In performance the analysis should be forgotten and the pieces played as if they were at that moment being composed." Benjamin Britten. The Arts and Humanities Research Council.

INTERNAL PAGES

brittenperforms.org brittenperforms.org
1

Interviews

http://www.brittenperforms.org/interviews

Funded by the AHRC. The British film director, Tony Palmer recalls his collaboration with Britten. As director of the award-winning film,. A Time There Was. Palmer discusses his impressions of Britten as a performer, together with some fascinating insights into various incidents that occurred during the time that he spent with him. The interview took place at his home in London on 17th October 2011 and his contribution to this project is gratefully acknowledged. The Arts and Humanities Research Council.

2

About

http://www.brittenperforms.org/about

Funded by the AHRC. To discuss it further. Please use the links on the left-hand side to learn more about the project. The Arts and Humanities Research Council.

3

Site Map

http://www.brittenperforms.org/about/site-map

Funded by the AHRC. Browser & System Configuration. Mozart: Piano Quartet No.1 in G minor, K.478. Quartet No.1 in G minor, K.478 (Bärenreiter) Bars 32-40. Quartet No.1 in G minor, K.478 (Bärenreiter) Bars 1-16. Quartet No.1 in G minor, K.478 (Bärenreiter) Bars 17-31. Quartet No.1 in G minor, K.478 (Bärenreiter) Bars 41-53. Quartet No.1 in G minor, K.478 (Bärenreiter) Bars 54-67. Quartet No.1 in G minor, K.478 (Bärenreiter) Bars 68-78. Quartet No.1 in G minor, K.478 (Bärenreiter) Bars 79-89. Quartet No&#4...

4

Performances

http://www.brittenperforms.org/performances

Funded by the AHRC. To view a timeline of Britten’s performances of works by Mozart, please follow the link. The Arts and Humanities Research Council.

5

Annotations

http://www.brittenperforms.org/annotations

Funded by the AHRC. Welcome to The Online Edition of Britten’s Performance Annotations. Follow the link below to view the complete Mozart Catalogue or select a score from the table. Mozart: Piano Quartet No.1 in G minor, K.478. To view Britten’s annotations, please choose an edition from the table below. Mozart, Wolfgang Amadeus, 1756-1791. Mozart, Wolfgang Amadeus, 1756-1791. Mozart, Wolfgang Amadeus, 1756-1791. Quartet no. 1: in G minor. Quartet no. 1: in G minor. Quartet no. 1: in G minor. Wiener Phil...

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Britten the Performer | The Online Edition of Britten's Performance Annotations

Funded by the AHRC. He was not overly histrionic. His rehearsals were totally concerned with phrasing and balance. He would ask for a particular tone colour something quite rare for a conductor. We all recognised him as an important musician. Somehow, every performance was an event none was routine." Emanuel Hurwitz. In performance the analysis should be forgotten and the pieces played as if they were at that moment being composed." Benjamin Britten. The Arts and Humanities Research Council.

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