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The old codger survives. Well choreo5 has come to an end. I went from it straight to a new project so today (19/10/11) is my first day of reflection. The project has reminded me of the central place of breath within dance and I think that some of the findings we made are seeping into my own approaches when it comes to working with ensemble. II hope that the work has helped Tanja to reflect and develop some new methodologies for creating ensemble work and look forward to seeing how the work develops.

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choreo5 | choreo5.wordpress.com Reviews

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The old codger survives. Well choreo5 has come to an end. I went from it straight to a new project so today (19/10/11) is my first day of reflection. The project has reminded me of the central place of breath within dance and I think that some of the findings we made are seeping into my own approaches when it comes to working with ensemble. II hope that the work has helped Tanja to reflect and develop some new methodologies for creating ensemble work and look forward to seeing how the work develops.

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choreo5 | choreo5.wordpress.com Reviews

https://choreo5.wordpress.com

The old codger survives. Well choreo5 has come to an end. I went from it straight to a new project so today (19/10/11) is my first day of reflection. The project has reminded me of the central place of breath within dance and I think that some of the findings we made are seeping into my own approaches when it comes to working with ensemble. II hope that the work has helped Tanja to reflect and develop some new methodologies for creating ensemble work and look forward to seeing how the work develops.

INTERNAL PAGES

choreo5.wordpress.com

1

The old codger survives… | choreo5

https://choreo5.wordpress.com/2011/10/19/the-old-codger-survives…

The old codger survives. Well choreo5 has come to an end. I went from it straight to a new project so today (19/10/11) is my first day of reflection. The project has reminded me of the central place of breath within dance and I think that some of the findings we made are seeping into my own approaches when it comes to working with ensemble. II hope that the work has helped Tanja to reflect and develop some new methodologies for creating ensemble work and look forward to seeing how the work develops.

2

jessiebrett | choreo5

https://choreo5.wordpress.com/author/jessiebrett

The choreo5 project has come to an end, it was a really lovely process, we made new discoveries and questioned many methods of choreographing. It’s been an interesting project have been involved in, I will take away a lot from … Continue reading →. We are well into the choreo5 training as we settle into the programme we continue to get pushed everyday, increasing the amount we run and the repetitions of exercises. I can feel I am becoming stronger, which is a nice … Continue reading →.

3

presentation part 5 | choreo5

https://choreo5.wordpress.com/2011/10/12/presentation-part-5

The old codger survives →. The breath is used not just in the process of creating the material but also to drive the movement. It is used to let the dancers find the movement and to gain a real sensation of it rather than artificially placing on top of the sequence. View all posts by john →. This entry was posted in choreography. The old codger survives →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public).

4

john | choreo5

https://choreo5.wordpress.com/author/dbiniindustries

Creative factotum based in northern Finland. exactly one half of a company that fuses technology with the moving body to make dance work. i use cameras and computers and projectors and lights and sound to make magic spaces for people to dance in. and i don't much care for capital letters. The first duet in this clip was based on our research of ways of connecting with each other. This duet is structured improvisation between Daisy and Lara, who first created loose structures independently, focusing o...

5

presentation part 2 | choreo5

https://choreo5.wordpress.com/2011/10/12/presentation-part-2

Presentation part 3 →. The duet between Daisy and Laura was based on material created during the research when we first started working in smaller groups and look at contact work. We applied the method of creating breath and movement scores, but we had not yet discovered a convincing way of connecting with each other to create the duet that would include physical contact and therefore the dancers stayed separate. View all posts by john →. This entry was posted in choreography. Presentation part 3 →.

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video 4 – studio work (feb) | cold rolling

https://coldrolling.wordpress.com/2012/02/24/video-4-studio-work-feb

A site-specific performance project. Skip to primary content. Video 4 – studio work (feb). This entry was posted in choreography. One thought on “ video 4 – studio work (feb). 24/02/2012 at 9:26 pm. I am currently exploring, choreographically, the different stages of steel making through spatial patterns. I am planning to experiment with the dynamics of the movement with the dancers. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

coldrolling.wordpress.com

video 5 – workshop with Ballet Cymru | cold rolling

https://coldrolling.wordpress.com/2012/04/13/video-5-workshop-with-ballet-cymru

A site-specific performance project. Skip to primary content. Video 5 – workshop with Ballet Cymru. This entry was posted in choreography. One thought on “ video 5 – workshop with Ballet Cymru. 13/04/2012 at 2:57 pm. The aim of this workshop was to generate more raw material for me to play with and to develop into potential sequences, as well as to explore how the dancers respond to the material I have created in studio in response to my research into specific aspects of cold rolling process.

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The old codger survives. Well choreo5 has come to an end. I went from it straight to a new project so today (19/10/11) is my first day of reflection. The project has reminded me of the central place of breath within dance and I think that some of the findings we made are seeping into my own approaches when it comes to working with ensemble. II hope that the work has helped Tanja to reflect and develop some new methodologies for creating ensemble work and look forward to seeing how the work develops.

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