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Thinking Sounds | by Marcel Cobussen

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Thinking Sounds | by Marcel Cobussen | cobussen.com Reviews
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7 deconstruction in music
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Thinking Sounds | by Marcel Cobussen | cobussen.com Reviews

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by Marcel Cobussen

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1

Publications | Thinking Sounds

https://cobussen.com/publications-and-courses

The Role and Position of Music. Monographs, chapters in edited books, articles for journals and websites. Thinking Sounds is created by Marcel Cobussen and presents his publications, research projects, and teaching activities on music and sound. Journal of Sonic Studies. The Field of Musical Improvisation. Follow site via email. Enter your email address to follow this site and receive notifications of new posts by email. Join 503 other followers. Blog at WordPress.com. Back to the top.

2

Articles | Thinking Sounds

https://cobussen.com/publications-and-courses/articles

The Role and Position of Music. 8220; Reflexiones sobre entornos sonorous. 8221; (co-author V. Meelberg, trans. Iván Ordóñez). (2013). 8220;Towards a Material Spirituality (and Beyond)”. 8220; Reflections on Sonic Environments. 8221; (co-author V. Meelberg). Journal of Sonic Studies. 8220; The Field of Musical Improvisation. Konturen: Interdisciplinary Journal for German Cultural Analysis. 8220; Defending the Uncanny. On the Postmodern, the Art World, and the Turn towards Complexity. The Ethics of Jazz].

3

Encounters Between Art and Science | Thinking Sounds

https://cobussen.com/2015/03/24/encounters-between-art-and-science

The Role and Position of Music. Laquo; Rhythm Changes Conference: Jazz Utopia. Conference: Musical Modernity, the Beautiful and the Sublime. Encounters Between Art and Science. In collaboration with Studium Generale of Leiden University and several others, I am organizing 6 meetings between Dutch artists and scholars to talk about the role, function, and position of both the arts and the sciences in our contemporary society. June 9: Francine Houben (architect) and Marileen Dogterom (bionanoscientist).

4

Disciplining Music | Thinking Sounds

https://cobussen.com/teaching/undisciplining-music

The Role and Position of Music. However, as Jacques Attali makes clear in his famous book. Noise The Political Economy of Music. In light of the above, the aim of this course is to examine both music’s disciplining and un-disciplining sides. Authors whose texts are discussed: Michel Foucault, Jacques Attali, Katharine Bergeron, Gary Tomlinson and Robert Morgan, among others. Or leave a trackback: Trackback URL. Leave a Reply Cancel reply. Enter your comment here. Address never made public).

5

What Is Music? | Thinking Sounds

https://cobussen.com/teaching/what-is-music

The Role and Position of Music. This course is an introduction to one of the most basic questions in the philosophy of music. The course includes an historical overview, though most attention will go to contemporary, (late) 20th-century ideas about the problems and (im)possibilities to define music. A complex amalgam of melody, harmony, rhythm, timbre and silence in a particular (intended) structure (Hanslick)? A sonoric event between noise and silence (Attali)? A ‘total social fact’ (Molino)? Hmm, IMO a...

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The difference between hearing and listening | Pauline Oliveros | sound stuff

https://mehtapc.wordpress.com/2016/05/19/the-difference-between-hearing-and-listening-pauline-oliveros

The difference between hearing and listening Pauline Oliveros. May 19, 2016. View all posts by mehtapc →. This entry was posted in Uncategorized. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.

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Hildegard Westerkamp: What’s in a Soundwalk? (Sonic Acts XIII, 2010) | sound stuff

https://mehtapc.wordpress.com/2015/12/22/hildegard-westerkamp-whats-in-a-soundwalk-sonic-acts-xiii-2010

R Murray Schafer – WFAE2011. Call for sounds: Cities and Memory: Dada Sounds →. Hildegard Westerkamp: What’s in a Soundwalk? Sonic Acts XIII, 2010). December 22, 2015. Hildegard Westerkamp: What’s in a Soundwalk? Sonic Acts XIII, 2010). View all posts by mehtapc →. This entry was posted in Uncategorized. R Murray Schafer – WFAE2011. Call for sounds: Cities and Memory: Dada Sounds →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

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call for sounds: Cities and Memory: Dada Sounds | sound stuff

https://mehtapc.wordpress.com/2015/12/27/call-for-sounds-cities-and-memory-dada-sounds

Hildegard Westerkamp: What’s in a Soundwalk? Sonic Acts XIII, 2010). Call for submission – ISSTA 2016 →. Call for sounds: Cities and Memory: Dada Sounds. December 27, 2015. View all posts by mehtapc →. This entry was posted in Uncategorized. Hildegard Westerkamp: What’s in a Soundwalk? Sonic Acts XIII, 2010). Call for submission – ISSTA 2016 →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Journal of Sonic Studies.

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texturetextexturetextexturetextexturetext: April 2015

http://texturetext.blogspot.com/2015_04_01_archive.html

Monday, April 20, 2015. Recently I had the intriguing, and in some ways unnerving, experience of giving a half-hour solo improvised performance live to the internet from my living room. It was part of a 24-hour round-the-world online music performance relay event called ToBeContinued. There were a number of aspects of the performance situation which were unfamiliar, adding up to a strong feeling of being more exposed than usual - out on a limb. That's what I want to write about in this blog. Four other c...

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texturetextexturetextexturetextexturetext: Boundaries

http://texturetext.blogspot.com/2013/11/boundaries.html

Sunday, November 17, 2013. I find myself seeking beauty at the blurred boundaries where words lose their meanings or gain new ones, where performances may or may not have begun, and where voice, instrument, and the sounds of the environment merge. And by some laptop and lo-fi artists explorating the soundworlds of air-conditioning units and other ambient machine presences. Looking back I realise that a couple of key early adult performance experiences were characterised by this sense of gradual transitio...

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texturetextexturetextexturetextexturetext: what is radiophonic?

http://texturetext.blogspot.com/2010/11/what-is-radiophonic.html

Monday, November 22, 2010. I'm going to take a break from my more navel-gazing obsession with reflecting on my own sound/musical work. Instead I want to write down some thoughts on radiophonic art that were first sparked three years ago by hearing six new, short 'radiophonic' works in three distinctly different listening contexts. The listening contexts in which I heard the six works were (in this order):. 1 alone on headphones connected to a computer;. The ways in which I experienced these works and the...

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About | sound stuff

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Http:/ ilef.ankara.edu.tr/cv/mcaglar/. Http:/ tr.gravatar.com/mehtapc. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. Journal of Sonic Studies.

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CHRISTOPHER A. WILLIAMS - Tactile Paths: on and through notation for improvisers

http://www.christopherisnow.com/portfolio/tactile-paths-on-and-through-notation-for-improvisers

CHRISTOPHER A. WILLIAMS. Wayfarer on the body-mind continuum. Tactile Paths: on and through notation for improvisers. I am enrolled as PhD student at the Academy of Creative and Performing Arts at the University of Leiden, Holland, where my advisers are. Academic adviser: Marcel Cobussen. Artistic adviser: Richard Barrett. Promotor: Frans de Ruiter. Below a description of my dissertation project. Tactile Paths: on and through Notation for Improvisers. How do performers negotiate the formality and mediacy...

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mehtapc | sound stuff

https://mehtapc.wordpress.com/author/mehtapc

The difference between hearing and listening Pauline Oliveros. May 19, 2016. April 25, 2016. Here is my piece for the project:. Cfp: Sonologia: Out of Phase. March 23, 2016. CFP Sonologia2016 The Sonologia 2016 Out of Phase international sound studies conference welcomes submissions from researchers across different fields of study that can refer to, but are not limited to, the following topics: postcolonial historiographies that counter euro-american narratives … Continue reading →. February 29, 2016.

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call for submission – ISSTA 2016 | sound stuff

https://mehtapc.wordpress.com/2016/01/23/call-for-submission-issta-2016

Call for sounds: Cities and Memory: Dada Sounds. Music in the historical ankara castle →. Call for submission – ISSTA 2016. January 23, 2016. INTERNATIONAL FESTIVAL AND CONFERENCE ON SOUND IN THE ARTS, SCIENCE AND TECHNOLOGY. TEMPORARY AUTONOMOUS ZONES 2016. This year, we are seeking works of art. That engage with the concept of autonomous zones and the social spaces of sound and technology:. We hope that designers and technologists. We hope that artists. Cultural researchers and thinkers. We will be cir...

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Thinking Sounds | by Marcel Cobussen

The Role and Position of Music. 8220;Fluisterende Wind”. Find below a link to a short text, an audiofile with interviews with Edwin van der Heide and me, and lots of photos made during the opening ceremony of “Fluisterende Wind”. Opening “Fluisterende Wind”. Was established at the initiative of Marcel Cobussen, professor of Auditory Culture at the Academy of Creative and Performing Arts. Cobussen is also the founder of. Mapping Sonic Space at TU Delft. A short interview with me why. It is startlingly ori...

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