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stitching in the sun

I am working on my Diploma with Sian Martin's Distant Stitch course. This is a distance-learning course in design, textile arts, creative embroidery and mixed media based in the UK.

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stitching in the sun | danieladistantstitch.blogspot.com Reviews
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I am working on my Diploma with Sian Martin&#39;s Distant Stitch course. This is a distance-learning course in design, textile arts, creative embroidery and mixed media based in the UK.
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1 gothic wooden sculpture
2 texture sample one
3 texture sample two
4 a detailed image
5 texture sample three
6 texture sample four
7 texture sample five
8 another
9 texture sample six
10 my jewellery corner
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gothic wooden sculpture,texture sample one,texture sample two,a detailed image,texture sample three,texture sample four,texture sample five,another,texture sample six,my jewellery corner,postato con blogsy,pubblicato da,daniela maschera,3 comments,labels
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stitching in the sun | danieladistantstitch.blogspot.com Reviews

https://danieladistantstitch.blogspot.com

I am working on my Diploma with Sian Martin&#39;s Distant Stitch course. This is a distance-learning course in design, textile arts, creative embroidery and mixed media based in the UK.

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stitching in the sun: October 2014

http://danieladistantstitch.blogspot.com/2014_10_01_archive.html

Stitching in the sun. I am working on my Diploma with Sian Martin's Distant Stitch course. This is a distance-learning course in design, textile arts, creative embroidery and mixed media based in the UK. Monday, October 27, 2014. LET’S MAKE A START ON DIPLOMA: MASKS WILL BE MY THEME. Let’s make a start! A general view of spider diagram (90 x 90 cms). The ethnic, religious development. Some artists working with masks. Subscribe to: Posts (Atom). View my complete profile. Alison G 2 CERT.

2

stitching in the sun: September 2013

http://danieladistantstitch.blogspot.com/2013_09_01_archive.html

Stitching in the sun. I am working on my Diploma with Sian Martin's Distant Stitch course. This is a distance-learning course in design, textile arts, creative embroidery and mixed media based in the UK. Friday, September 27, 2013. Module SIX – Chapter 9 – DESIGN DEVELOPMENT FOR FINAL WALLHANGING. My tutoring with Sian at Summer School was extremely useful, and has given me much food for thought and a great help with points to consider to make progress with design. THE FIRST QUESTION WAS ABOUT COLOURS.

3

stitching in the sun: June 2014

http://danieladistantstitch.blogspot.com/2014_06_01_archive.html

Stitching in the sun. I am working on my Diploma with Sian Martin's Distant Stitch course. This is a distance-learning course in design, textile arts, creative embroidery and mixed media based in the UK. Wednesday, June 4, 2014. Module SIX – Chapter 11 – Trial layers for my wall-hanging. Sorry for the bad quality of my pictures, it's already too dark inside. Tuesday, June 3, 2014. Module SIX – Chapter 10 - CONVERTING MY DESIGN INTO EMBROIDERY. 8230; world below, enveloped, restful, gentle. Thinking of wa...

4

stitching in the sun: January 2014

http://danieladistantstitch.blogspot.com/2014_01_01_archive.html

Stitching in the sun. I am working on my Diploma with Sian Martin's Distant Stitch course. This is a distance-learning course in design, textile arts, creative embroidery and mixed media based in the UK. Wednesday, January 29, 2014. Module SIX – Chapter 10 - DESIGN PROPOSAL AND PAPER MOCK UP FOR FINAL WALL HANGING. I have now a group of four design samples each measuring around 15 per 60 cm from which to start designing for the wall hanging. Below is a photo of the first stage of designing:. This collage...

5

stitching in the sun: LET’S MAKE A START ON DIPLOMA: MASKS WILL BE MY THEME

http://danieladistantstitch.blogspot.com/2014/10/lets-make-start-on-diploma-masks-will.html

Stitching in the sun. I am working on my Diploma with Sian Martin's Distant Stitch course. This is a distance-learning course in design, textile arts, creative embroidery and mixed media based in the UK. Monday, October 27, 2014. LET’S MAKE A START ON DIPLOMA: MASKS WILL BE MY THEME. Let’s make a start! A general view of spider diagram (90 x 90 cms). The ethnic, religious development. Some artists working with masks. October 27, 2014 at 9:58 PM. October 30, 2014 at 11:00 AM. October 30, 2014 at 8:56 AM.

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threadingonthinice.blogspot.com threadingonthinice.blogspot.com

Threading on thin ice: September 2010

http://threadingonthinice.blogspot.com/2010_09_01_archive.html

Threading on thin ice. Saving the world, one stitch at a time. We all move on the fringes of eternity and are sometimes granted vistas through the fabric of illusion." -Ansel Adams. Chapter 2 - Tonal Columns. Finally getting time to upload Chapter 2, which I finished back in June but never uploaded. A TONAL COLUMN IN STITCHERY. 21 Tonal column in stitchery. B TONAL EFFECTS USING THE TECHNIQUE OF BLACKWORK. 22 Tonal effects - Blackwork on paper. Click on image to enlarge). 23 Blackwork tonal columns.

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Threading on thin ice: January 2010

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Threading on thin ice. Saving the world, one stitch at a time. We all move on the fringes of eternity and are sometimes granted vistas through the fabric of illusion." -Ansel Adams. Chapter 6: Use of Bonding. The store did not sell "Bondaweb", although I did find a bottle of glue that you spread on and then can iron, as well as the powder form of an iron-on glue. For the blue piece, I colored on the non-glue side of the fabric. 6-1 First bonding attempt (10x10cm). Then, using the red material in the back...

threadingonthinice.blogspot.com threadingonthinice.blogspot.com

Threading on thin ice: March 2013

http://threadingonthinice.blogspot.com/2013_03_01_archive.html

Threading on thin ice. Saving the world, one stitch at a time. We all move on the fringes of eternity and are sometimes granted vistas through the fabric of illusion." -Ansel Adams. Ch 11 Further Designs. Welcome to Chapter 11. Lots of visuals in this blog entry. Started by photocopying small-print b and w fabric pieces. Used these with earlier printed papers to mix and achieve varying tones. it's hard to judge sometimes which is lighter of darker. Made blocks, cut, mixed and matched (11.1 11.6). I neede...

sjmdistantstitch.blogspot.com sjmdistantstitch.blogspot.com

Stephanie's stitching: October 2009

http://sjmdistantstitch.blogspot.com/2009_10_01_archive.html

This is a record of my work on the Distant Stitch Level 3 Certificate. Thursday, 22 October 2009. See my completed Module 4 at www.stitcherist.wordpress.com. Subscribe to: Posts (Atom). Threading on thin ice. Jane's Distant Stitch Blog. Mawdsley Williams fine furniture. MY CHANNEL SWIM 2011. Silken Strands - mail order threads. Addingham, West Yorkshire, United Kingdom. View my complete profile.

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Stephanie's stitching: July 2010

http://sjmdistantstitch.blogspot.com/2010_07_01_archive.html

This is a record of my work on the Distant Stitch Level 3 Certificate. Friday, 9 July 2010. However, chewing this over the red roses on the stableyard wall continue the curving diagonal line from the small red fragments through the bold red square, moving up from bottom left to top right. The red bricks of the wall echo the bold red block. Subscribe to: Posts (Atom). Threading on thin ice. Jane's Distant Stitch Blog. Mawdsley Williams fine furniture. MY CHANNEL SWIM 2011. View my complete profile.

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Stephanie's stitching: July 2011

http://sjmdistantstitch.blogspot.com/2011_07_01_archive.html

This is a record of my work on the Distant Stitch Level 3 Certificate. Wednesday, 27 July 2011. Day 4 - lines and backgrounds. When preparing backgrounds yesterday I also selected pics of trees - plums grow on trees (and trees play a large part in my life). I chose a fibre tip pen for the first drawing. And then turned it round again for my second attempt at drawing the leaf, concentrating on different types of line:. Tuesday, 26 July 2011. Sketchbook Day 4 - a personal background. After a busy weekend I...

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Chapter 7 – Stitchery from the rubbings | janechippstitch

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My embroidery distant learning blog. Chapter 7 – Stitchery from the rubbings. Chapter 7 – Stitchery from the rubbings. October 24, 2014. October 25, 2014. 71 Sketch book samples of pastel colours and thread types. I used a wide range of threads, all in a grey or neutral palette including wools of various thicknesses, embroidery threads, perle cotton used both singly and threaded double with different colours, very fine lace making cotton, boucle, cotton chord, waxed thread. I stitched over some of my are...

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Threading on thin ice: April 2010

http://threadingonthinice.blogspot.com/2010_04_01_archive.html

Threading on thin ice. Saving the world, one stitch at a time. We all move on the fringes of eternity and are sometimes granted vistas through the fabric of illusion." -Ansel Adams. Module 1 - Working pages. Health and Safety Rules Observed. Make it a habit to:. 8226; turn off the iron after each use. 8226; put scissors and other sharp tools back in protective pockets away from cat and self. 8226; put away items being worked on so as to keep them in good shape. 8226; work in a well-lit area. I am intrigu...

sjmdistantstitch.blogspot.com sjmdistantstitch.blogspot.com

Stephanie's stitching: April 2011

http://sjmdistantstitch.blogspot.com/2011_04_01_archive.html

This is a record of my work on the Distant Stitch Level 3 Certificate. Wednesday, 13 April 2011. A to F: Straight and automatic stitches - even tension. G, H and I: straight whip stitch. J, K, L: zigzag whip stitch. Tuesday, 5 April 2011. There are lots of drawing techniques to explore in this module. This is frottage in oil pastels. I then cut up several of my decorated papers for this design. Subscribe to: Posts (Atom). Threading on thin ice. Jane's Distant Stitch Blog. Mawdsley Williams fine furniture.

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stitching in the sun

Stitching in the sun. I am working on my Diploma with Sian Martin's Distant Stitch course. This is a distance-learning course in design, textile arts, creative embroidery and mixed media based in the UK. Thursday, February 25, 2016. FURTHER EXPERIMENTS IN TEXTURE AND SURFACE RELIEF - Chapter 3. After the first set of warm-up experiments in texture in my sketchbook I concentrate on more considerate exercises meant for inclusion in a portfolio later. Here a detail of this texture. A HEAD BY GEORG BASELITZ.

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