English 361 Theories of Literary Criticism Prof. Andrew Bozio abozio@skidmore.edu Course Description Since its inception in the late nineteenth and early twentieth centuries, what scholars call
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Theories of Literary Criticism – EN 361: Fall 2015 | en361fall2015.wordpress.com Reviews
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English 361 Theories of Literary Criticism Prof. Andrew Bozio abozio@skidmore.edu Course Description Since its inception in the late nineteenth and early twentieth centuries, what scholars call
en361fall2015.wordpress.com
Schedule – Theories of Literary Criticism
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Theories of Literary Criticism. EN 361: Fall 2015. Reading that are not available in the required texts can be found on Course Reserves. Introduction to the course. 2-3; What is Literature? Terry Eagleton, What is Literature? Vladimir Nabokov, Signs and Symbols, 598-603 [Course Reserves]. J L Austin, 1286-9; Performative Utterances, 1289-1301. Structuralism and Semiotics, 21-22; Poststructuralism and Deconstruction, 22-24. G W F Hegel, 536-40; excerpts from. The Phenomenology of Spirit. In a Queer Time a...
Course Policies – Theories of Literary Criticism
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Theories of Literary Criticism. EN 361: Fall 2015. You are allowed two absences with no questions asked. For each subsequent absence, your final grade will drop one-third of a letter grade, and excessive absences may result in failure of the course. Repeated lateness will also be construed as absence, so please come to class on time and stay for the duration. Asking a specific question or making a specific comment about the reading. Building upon something that another person has already said. All writte...
Syllabus – Theories of Literary Criticism
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Theories of Literary Criticism. EN 361: Fall 2015. View this document on Scribd. Assistant Professor of English. Saratoga Springs, NY 12866. Unless otherwise noted, the work on this website is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. Create a free website or blog at WordPress.com.
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Teaching | Andrew Bozio
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English 343R: Elizabethan and Jacobean Drama. English 110: Introduction to Literary Studies. English 225: Introduction to Shakespeare. English 361: Theories of Literary Criticism. English 110: Introduction to Literary Studies. English 228: Introduction to Literary Theory. English 371: Recent Trends in Literary Theory [Independent Study]. English 110: Introduction to Literary Studies. English 362: Shakespeare and the Nature of Embodiment. Marginalia in Montaigne’s. Translated by John Florio).
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American Literature 1800-Present
Wednesday, April 22, 2009. You are welcome to devise your own topic, as long as you run it by me first. Examine representations of memory and history in one or two of Charles Chesnutt’s tales. To what extent are the African-American characters the “keepers of memory” or “embodiment of history” in these stories? Are Uncle Julius’s tales personal memories or communal ones? What connections can we make between racial identity and national memory? Much of what we know about Hemingway’s characters, and ...
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Theories of Literary Criticism – EN 361: Fall 2015
Theories of Literary Criticism. EN 361: Fall 2015. Theories of Literary Criticism. In this way, the course will organize itself around a set of questions. How does culture affect the way that we make sense of our bodies and the world around us? And how should our answers to that question inform the work that we undertake in literary studies? Through this course, you will learn to. Read a work of literary theory critically, locating and evaluating its major claims. Second edition (ISBN 978-0393932928).
EN 362 Fall 2014 | Shakespeare and the Nature of Embodiment
EN 362 Fall 2014. Shakespeare and the Nature of Embodiment. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. Creative Commons Attribution-ShareAlike 4.0 International. Shakespeare and the Nature of Embodiment. The Merchant of Venice. Shylock uses his body to establish some commonality with the Christians who persecute him: If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? The Merchant of Venice. Study S...
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