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György László Cinematographer | Cinematography and Photography in London

I am a camera operator and photographer based in London, UK. I specialize in fiction, documentary movies and commercials. Take part in photography training.

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György László Cinematographer | Cinematography and Photography in London | glaszlo.com Reviews

https://glaszlo.com

I am a camera operator and photographer based in London, UK. I specialize in fiction, documentary movies and commercials. Take part in photography training.

INTERNAL PAGES

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1

Glaszlo.com | About

http://glaszlo.com/about

Cinematographer and Photographer in London. T: 44 7570 898 030. Tumblr: roztokino.tumblr.com. In 2012 I have moved to London where I continue to tell my directors’ stories visually using the extensive experience and broad skillset that I have developed. When I’m not shooting moving images, I take stills. And when I’m not engaged in either, I teach photography and video courses. Want to know more? Read or download my CV.

2

Glaszlo.com | Instagram Feed

http://glaszlo.com/instagram-feed

Cinematographer and Photographer in London.

3

Glaszlo.com | Training

http://glaszlo.com/training

Cinematographer and Photographer in London. One-to-one DSLR Video and Photography Courses. I have been offering training both to beginners and advanced photographers and videographers since 2012. In the past two years I’ve taught close to 300 courses and over 1,000 people both in small groups and individually. While many of my courses are organised by one of London’s best photography schools. In our Earlsfield studio, I also offer my full range of courses as a private instructor. Or perhaps you want to d...

4

Glaszlo.com | Fiction

http://glaszlo.com/fiction

Cinematographer and Photographer in London. The Novaks and the Novotnys. The Day of the Dragon.

5

Glaszlo.com | Archive

http://glaszlo.com/archive

Cinematographer and Photographer in London. Into the Light – Solo Photography Exhibition. Killing My Girl – Trailer. Lipanek (30″ TVC). Tim Garland – Lighthouse ‘Uplift’. Without Doubt (Vita Gottlieb, A/W 2013). Kahn Range Rover Evoque. On the Road – The Meroe Island (Sudan). The Day of the Dragon. Delalamm: 1st the 1 (…then the other). Rather be on Earth than in Heaven. One Minute of Freedom. History of a Pellet. Montanaro – La Polonaise – Anachronisme. Montanaro – La Polonaise – Katowice.

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LINKS TO THIS WEBSITE

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Tamas Dezso . Photographer

http://l1ghtb1tes.com/tamas-dezso

Tamas Dezso . Photographer. GL: How do you pick your topics? What are you most ‘sensitized’ to: light? GL: As a photographer (a craftsperson, not as an artist) how do you get ready for the ‘moment’? GL: What’s your relationship to daylight and artificial light? TD: I don’t use any lighting and lamps, I want to preserve the original atmosphere of the locations. It sometimes happens that as a result I spend more time at a certain place or return several times, waiting for the best light. TD: Nearly everyth...

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Erica McDonald . Photographer

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Erica McDonald . Photographer. GL: How did you ‘meet’ the woman behind the window? EMD: It happened close to the end of the time when I was working on. The Dark Light of This Nothing. I had the bones of the series laid down but was out looking for the kinds of moments I had missed in the previous months. The woman just happened to be looking out her window – we saw each other and shared a moment. EMD: The series had a very specific arc. I had intended to shoot only large format portraits against whit...

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Bruno Bourel . Photographer

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Bruno Bourel . Photographer. GL: Any image is a record of two roads crossing: the person behind camera walks onto the path of the person in front of it. How did this meeting happen? GL: The metaphor we use when talking about ‘capturing a moment’ is misleading in some ways. A moment like this is about the years, months or minutes leading up to it that get you ready, as a photographer, as an observer to capture it. GL: Technically: what camera did you use? BB: Technically: I keep it simple, simple, simple&...

killingmygirl.com killingmygirl.com

Cast & Crew – Killing My Girl

http://www.killingmygirl.com/cast-and-crew

A film by Tasos Giapoutzis. Cast & Crew. Awards & Screenings. Cast & Crew. Gyo rgy La szlo.

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Daniella Zalcman . Photographer

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Daniella Zalcman . Photographer. New York London 52, 2013. GL: How did you discover your method of digital double exposure? DZ: I basically had no experience with double exposures before this project, outside of accidental composites in my film photography. A few weeks before I moved to London I stumbled across the Image Blender app and thought it was kind of fun, and so when I came up with the idea for New York London it just clicked. GL: You used your iPhone. Why not film? DZ: It’s mostly a choic...

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Anders Petersen . Photographer

http://l1ghtb1tes.com/anders-petersen

Anders Petersen . Photographer. GL: Can you tell me about how you took this picture? How is this image part of your Rome? I’d like to know more about the context in which you took this photo. AP: What counts is meeting people and asking questions. On the streets or in bars, sometimes in somebody’s home, yes, anywhere. I don’t know how I take the pictures, they are less important, what I like is the meeting, the identification and the learning process and, of course, the communication. AP: I like availabl...

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Izabella Demavlys . Photographer

http://l1ghtb1tes.com/izabella-demavlys

Izabella Demavlys . Photographer. Izabella Demavlys started out as a fashion photographer. Years later, she is still interested in beauty; it’s just her definition of beauty that has changed. As I was looking at her portraits of acid attack victims in Pakistan, I realized: certain pictures you take (or see) and then you move on. But certain images you take (or see) and they pull you into themselves and stay with you. GL: When talking about portraits we seldom discuss what they meant for the subject of th...

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Elaine Mayes . Photographer

http://l1ghtb1tes.com/elaine-mayes

Elaine Mayes . Photographer. GL: Simple, elegant, lonely these are the words that came to my mind when I first saw your picture of this coach. EM: Well, this is the old bus image… I like it a lot. It is part of a series I did called, Autolandscapes. The series is from my moving car while driving from San Francisco to Massachusetts in 1971. It was 6 AM, I was driving my car East at about 65 mph in Utah. I really got lucky. GL: How did this picture happen to you? GL: What camera did you use? GL: How does d...

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Edward van Herk . Photographer

http://l1ghtb1tes.com/edward-van-herk

Edward van Herk . Photographer. I look at a lot of pictures. We all do. Lately, I have found that the images I react to fall into two categories. There are the ones that I like. And there are a few that I like so much, I almost feel like I’m behind the camera taking them. Here’s one of them. GL: What are you most ‘sensitised’ to? GL: How do you see the role of preparation and intuition in your photography? GL: What camera did you use for the project? When do you go for b/w and when for color? EVH: My cam...

l1ghtb1tes.com l1ghtb1tes.com

Sébastien van Malleghem . Photographer

http://l1ghtb1tes.com/sebastien-van-malleghem

Sébastien van Malleghem . Photographer. Followed by sharp relief ‘He did it! GL: What about the first part of your reportage? SVM: I’ve always been interested in violence and I wanted to talk about what it’s like in my country. There’s no direct link between this subject and my personal life, but yes, I have a certain fascination for the unseen, for crime stories. I’d like to understand what can make people commit crimes. So the series about the police. Where do they go? GL: Looking at your pictures I ha...

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