l1ghtb1tes.com
Tamas Dezso . Photographer
http://l1ghtb1tes.com/tamas-dezso
Tamas Dezso . Photographer. GL: How do you pick your topics? What are you most ‘sensitized’ to: light? GL: As a photographer (a craftsperson, not as an artist) how do you get ready for the ‘moment’? GL: What’s your relationship to daylight and artificial light? TD: I don’t use any lighting and lamps, I want to preserve the original atmosphere of the locations. It sometimes happens that as a result I spend more time at a certain place or return several times, waiting for the best light. TD: Nearly everyth...
l1ghtb1tes.com
Erica McDonald . Photographer
http://l1ghtb1tes.com/erica-mcdonald
Erica McDonald . Photographer. GL: How did you ‘meet’ the woman behind the window? EMD: It happened close to the end of the time when I was working on. The Dark Light of This Nothing. I had the bones of the series laid down but was out looking for the kinds of moments I had missed in the previous months. The woman just happened to be looking out her window – we saw each other and shared a moment. EMD: The series had a very specific arc. I had intended to shoot only large format portraits against whit...
l1ghtb1tes.com
Bruno Bourel . Photographer
http://l1ghtb1tes.com/bruno-bourel
Bruno Bourel . Photographer. GL: Any image is a record of two roads crossing: the person behind camera walks onto the path of the person in front of it. How did this meeting happen? GL: The metaphor we use when talking about ‘capturing a moment’ is misleading in some ways. A moment like this is about the years, months or minutes leading up to it that get you ready, as a photographer, as an observer to capture it. GL: Technically: what camera did you use? BB: Technically: I keep it simple, simple, simple&...
killingmygirl.com
Cast & Crew – Killing My Girl
http://www.killingmygirl.com/cast-and-crew
A film by Tasos Giapoutzis. Cast & Crew. Awards & Screenings. Cast & Crew. Gyo rgy La szlo.
l1ghtb1tes.com
Daniella Zalcman . Photographer
http://l1ghtb1tes.com/daniella-zalcman
Daniella Zalcman . Photographer. New York London 52, 2013. GL: How did you discover your method of digital double exposure? DZ: I basically had no experience with double exposures before this project, outside of accidental composites in my film photography. A few weeks before I moved to London I stumbled across the Image Blender app and thought it was kind of fun, and so when I came up with the idea for New York London it just clicked. GL: You used your iPhone. Why not film? DZ: It’s mostly a choic...
l1ghtb1tes.com
Anders Petersen . Photographer
http://l1ghtb1tes.com/anders-petersen
Anders Petersen . Photographer. GL: Can you tell me about how you took this picture? How is this image part of your Rome? I’d like to know more about the context in which you took this photo. AP: What counts is meeting people and asking questions. On the streets or in bars, sometimes in somebody’s home, yes, anywhere. I don’t know how I take the pictures, they are less important, what I like is the meeting, the identification and the learning process and, of course, the communication. AP: I like availabl...
l1ghtb1tes.com
Izabella Demavlys . Photographer
http://l1ghtb1tes.com/izabella-demavlys
Izabella Demavlys . Photographer. Izabella Demavlys started out as a fashion photographer. Years later, she is still interested in beauty; it’s just her definition of beauty that has changed. As I was looking at her portraits of acid attack victims in Pakistan, I realized: certain pictures you take (or see) and then you move on. But certain images you take (or see) and they pull you into themselves and stay with you. GL: When talking about portraits we seldom discuss what they meant for the subject of th...
l1ghtb1tes.com
Elaine Mayes . Photographer
http://l1ghtb1tes.com/elaine-mayes
Elaine Mayes . Photographer. GL: Simple, elegant, lonely these are the words that came to my mind when I first saw your picture of this coach. EM: Well, this is the old bus image… I like it a lot. It is part of a series I did called, Autolandscapes. The series is from my moving car while driving from San Francisco to Massachusetts in 1971. It was 6 AM, I was driving my car East at about 65 mph in Utah. I really got lucky. GL: How did this picture happen to you? GL: What camera did you use? GL: How does d...
l1ghtb1tes.com
Edward van Herk . Photographer
http://l1ghtb1tes.com/edward-van-herk
Edward van Herk . Photographer. I look at a lot of pictures. We all do. Lately, I have found that the images I react to fall into two categories. There are the ones that I like. And there are a few that I like so much, I almost feel like I’m behind the camera taking them. Here’s one of them. GL: What are you most ‘sensitised’ to? GL: How do you see the role of preparation and intuition in your photography? GL: What camera did you use for the project? When do you go for b/w and when for color? EVH: My cam...
l1ghtb1tes.com
Sébastien van Malleghem . Photographer
http://l1ghtb1tes.com/sebastien-van-malleghem
Sébastien van Malleghem . Photographer. Followed by sharp relief ‘He did it! GL: What about the first part of your reportage? SVM: I’ve always been interested in violence and I wanted to talk about what it’s like in my country. There’s no direct link between this subject and my personal life, but yes, I have a certain fascination for the unseen, for crime stories. I’d like to understand what can make people commit crimes. So the series about the police. Where do they go? GL: Looking at your pictures I ha...
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