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Helen Ennis — Australian photography curator, historian and writer

Helen Ennis is one of Australia’s leading photography curators, historians and writers.

http://www.helenennis.com/

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Helen Ennis — Australian photography curator, historian and writer | helenennis.com Reviews
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Helen Ennis is one of Australia’s leading photography curators, historians and writers.
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1 helen ennis
2 biography
3 exhibitions curated
4 publications
5 papers
6 menu
7 highlights
8 news
9 helen’s review of
10 the one project
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Helen Ennis — Australian photography curator, historian and writer | helenennis.com Reviews

https://helenennis.com

Helen Ennis is one of Australia’s leading photography curators, historians and writers.

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1

News — Helen Ennis — Australian photography curator, historian and writer

http://helenennis.com/category/news

Max Dupain and Olive Cotton forum. July 12th, 2016. On 16 July, Helen is presenting in a forum associated with the exhibition of photographs by Olive Cotton and Max Dupain at the Ian Potter Museum of Art. All welcome. More information here. Miriam Stannage: Survey 2006-2016. April 1st, 2016. Review of The Lives of the Great Photographers in ABR. March 1st, 2016. Helen’s review of The Lives of the Great Photographers by Juliet Hacking is published in the latest ABR. February 10th, 2016. February 5th, 2016.

2

Biography — Helen Ennis — Australian photography curator, historian and writer

http://helenennis.com/biography

Scholarships, grants & awards. Helen Ennis is one of Australia’s leading photography curators, historians and writers. She joined the Department of Photography at the National Gallery of Australia in 1981 and was Curator of International and Australian Photography at the National Gallery of Australia from 1985-92. She has extensive experience as an independent curator and writer specializing in the area of Australian photographic practice. Her curatorial projects include. In 2007 she curated. A Modern Vi...

3

Exhibitions Curated — Helen Ennis — Australian photography curator, historian and writer

http://helenennis.com/exhibitions-curated

Things: photographing the constructed world. National Library of Australia (24 November 2012 – 17 February 2013). A Modern Vision: Charles Bayliss, Photographer, 1850 – 1897. National Library of Australia (11 July-26 October 2008). Reveries: photography and mortality. National Portrait Gallery (27 April – 5 August 2007), touring to University Art Museum, the University of Queensland, 31 August – 14 October 2007 and Mornington Peninsula Gallery, 19 March – 18 May 2008. Sue Ford: A Survey 1960 – 1995.

4

Papers — Helen Ennis — Australian photography curator, historian and writer

http://helenennis.com/papers

Selected conference papers, guest lectures and public talks. Convenor, ‘Art and Mortality’, ANU and National Gallery of Australia, 19, 20 September. Paper ‘Rethinking our relation to death’. Sue Ford’s unfixed photography’, National Gallery of Victoria, 26 April. Talking Wolfgang Sievers’, Centre for Contemporary Photography, Melbourne, 16 July. Things: Photographing the Constructed World’, National Library of Australia, 17 February. Diverging views: a portrait of Max Dupain’, Portrayal and Identity.

5

Publications — Helen Ennis — Australian photography curator, historian and writer

http://helenennis.com/publications

Books & exhibition catalogues. Major essays & contributions to books. Articles & essays in periodicals & catalogues. This is just a selection, view all books and exhibition catalogues. Middot; Created by beneb.

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photography + abstraction - Fleurieuscapes book

http://thoughtfactory.posthaven.com/photography-abstraction

A work in process. Laquo; Back to blog. Some of my rock studies of the rockfaces of the granite coastline west of Victor Harbor move towards abstraction. Have as their reference point the pictures. Taken by Charles Bayliss. Of the Jenolan Caves in NSW in the 1880s. Eg, the direct capture of light without a camera ( Laszlo Moholy-Nagy photograms),. Digital sampling found images, radical cropping, and various deliberate destablizations of photographic reference. However, Helen Ennis. I have the 2nd Edition...

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Fleurieuscapes book

http://thoughtfactory.posthaven.com/tag/Fleurieu%20Peninsula

A work in process. Laquo; Back to blog. This photo is made from an ecological perspective on the landscapes. That have been produced by the economic development of settler capitalism. Today there is only scattered remnant vegetation. Left from the clearance for agricultural production in the Fleurieu Peninsula. It's not a pretty picture. The land was not only fruitless, in leading to the ruin of the settlers, but self-defeating in ultimately ruining the land itself. Art history's blindness. Artists in th...

thoughtfactory.com.au thoughtfactory.com.au

architecture Archives - Thought FactoryThought Factory

http://thoughtfactory.com.au/category/architecture

Leica Chronicles, Snaps and Cliches. Just Black and White. Documentary photography: a note. February 26, 2017. Australian Photography: The 1980s. Was a photographic exhibition curated by Helen Ennis. At the Australian National Gallery. Around 1988, the year of Australia’s Bicentenary. This event triggered debate on Australian national identity, Aboriginal rights, historical interpretation and multiculturalism. Carwarp, Victorian Mallee. And formalist styles, are rarely considered in the art world. These ...

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Mallee Archives - Thought FactoryThought Factory

http://thoughtfactory.com.au/category/mallee

Leica Chronicles, Snaps and Cliches. Just Black and White. Documentary photography: a note. February 26, 2017. Australian Photography: The 1980s. Was a photographic exhibition curated by Helen Ennis. At the Australian National Gallery. Around 1988, the year of Australia’s Bicentenary. This event triggered debate on Australian national identity, Aboriginal rights, historical interpretation and multiculturalism. Carwarp, Victorian Mallee. And formalist styles, are rarely considered in the art world. These ...

conceptual-photography.posthaven.com conceptual-photography.posthaven.com

pink gum + Xanthorrhoea

http://conceptual-photography.posthaven.com/posts.atom

Tag:conceptual-photography.posthaven.com,2013:/posts. Tag:conceptual-photography.posthaven.com,2013:Post/583409. Re-reading the Australian landscape tradition. The traditional interpretation of the Australian landscape is one of majestic gums and sunlight plains- exemplified by Hans Heysen. Rather than the sublime's darker twilight landscape that evokes a sense of eeriness and unease; or the landscape as transformed by human beings through farming. The Australian landscape tradition. Heidleberg School, H...

conceptual-photography.posthaven.com conceptual-photography.posthaven.com

pink gum + Xanthorrhoea

http://conceptual-photography.posthaven.com/tag/landscape

Laquo; Back to blog. There is an interesting issue of the journal Art History. On Photography after conceptual art. Volume 32, Issue 5), which was then published by Wiley as a book. Edited by Diarmuid Costello. This body of academic work emerges out of an AHRC Research Project entitled Aesthetics after Photography. Herein lies a tension between photography’s aesthetic uptake as an autonomous pictorial art being compromised by it apparently being too closely and easily connected to empirical reality.

conceptual-photography.posthaven.com conceptual-photography.posthaven.com

pink gum + Xanthorrhoea

http://conceptual-photography.posthaven.com/tag/roadside%20vegetation

Laquo; Back to blog. Turning back to Ed Ruscha. Though it is well known that the early conceptual artists used photography in ways that went far beyond its modernist definitions as a medium and succeeded thereby in breaking down the boundaries of all mediums in modernist art- - there is still an absence. In art history discourse that evaluates the known conceptual photography in Australia. What liitle writing there is- eg., Anne Marsh. In Look: Contemporary Australian Photography since 1980-. Ruscha's bo...

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Helen Ennis — Australian photography curator, historian and writer

Photo: George Serras, National Museum of Australia. Professor Helen Ennis is one of Australia’s leading photography curators, historians and writers. She was formerly Curator of Photography at the National Gallery of Australia (1985-1992). She joined the Australian National University School of Art. In 1995 and is Convenor of the Graduate Research program. In 2014 she became Director of the Centre for Art History and Art Theory. Edited by Lee Kinsella, will be launched at the same time. The photograph an...

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