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Henry Stead | classicist, writer, translator

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Henry Stead | classicist, writer, translator | henrystead.wordpress.com Reviews

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4. Work | Henry Stead

https://henrystead.wordpress.com/works

Classicist, writer, translator. The Reception of Catullus in Romantic Britain. Nov 2015) academic monograph – (Oxford University Press, Classical Presences. Series). Access on OSO. Reviewed on BARS Review. Ted Hughes’s] Seneca’s Oedipus by hook or by crook. 8211; article – (Mar. 2013) in a special edition of the Canadian Review of Comparative Literature. Vol 40.1, pp.88-104) on ‘Seneca and the English Tradition.’. 8216; Swinish Classics. Classics and Communism in Theatre. 2012), Summer 2013. Ancient Gree...

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3. LPS | Henry Stead

https://henrystead.wordpress.com/poetry

Classicist, writer, translator. 8211; a cross-media poetry platform, formed in 2008 to promote and record poetry’s journey into digital unknowns. Using cross-media performance and new media distribution the project aimed to extend the reach and expand the fabric of poetic culture. LPS has. Attempted to encourage, aggregate and disseminate many kinds of poetry, including: videopoems, filmpoems, digitally produced audiopoems, live cross-media translation &c…. LPS on BBC Radio 4. Moving Poems Magazine 2013.

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2. Performance | Henry Stead

https://henrystead.wordpress.com/theatre

Classicist, writer, translator. A live cross-media translation of Catullus’ 63rd poem ‘super alta vectus…’ created in collaboration with Codeshift (sound), Elisa Muliere (images) and Adam-Pelling Deeves (video). Recent performances include: Modern Art Oxford, Jam Factory (Oxford), Edel Assanti (London), Filmpoem Festival (Dunbar), Syndicate (Edinburgh). 8211; After Aeschylus’. 8220;In its physicality reminiscent of Ted Hughes” — Sheffield Telegraph. Create a website or blog at WordPress.com.

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MEDEA FIAM

http://senecasmedea.blogspot.com/2011/08/senecas-medea-on-classics-confidential.html

Stephen Spender Prize 2011. READING AT SPENDER AWARDS. Punchy, sharp, visceral, the lines broken up in pauses as if, appropriately, spat on the page." - George Szirtes. Huge dramatic energy and great pace." - Susan Bassnet. It's not, as so many Senecan translations are, Baroque or exaggerated. I was delighted by its taut speakability." - Edith Hall. Holly Hewlett Oxford Theatre Review. Laura Aitken-Burt, Oxford Theatre Review. Interview with Helen Slaney (director) and Henry Stead (translator). The ancie...

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MEDEA FIAM

http://senecasmedea.blogspot.com/2014/01/listen-to-original-soundtrack-of.html

Stephen Spender Prize 2011. READING AT SPENDER AWARDS. Punchy, sharp, visceral, the lines broken up in pauses as if, appropriately, spat on the page." - George Szirtes. Huge dramatic energy and great pace." - Susan Bassnet. It's not, as so many Senecan translations are, Baroque or exaggerated. I was delighted by its taut speakability." - Edith Hall. Holly Hewlett Oxford Theatre Review. Laura Aitken-Burt, Oxford Theatre Review. The ancient myth of betrayal, enchantment and murder takes confronting new for...

senecasmedea.blogspot.com senecasmedea.blogspot.com

MEDEA FIAM

http://senecasmedea.blogspot.com/2011/11/trailer.html

Stephen Spender Prize 2011. READING AT SPENDER AWARDS. Punchy, sharp, visceral, the lines broken up in pauses as if, appropriately, spat on the page." - George Szirtes. Huge dramatic energy and great pace." - Susan Bassnet. It's not, as so many Senecan translations are, Baroque or exaggerated. I was delighted by its taut speakability." - Edith Hall. Holly Hewlett Oxford Theatre Review. Laura Aitken-Burt, Oxford Theatre Review. The ancient myth of betrayal, enchantment and murder takes confronting new for...

senecasmedea.blogspot.com senecasmedea.blogspot.com

MEDEA FIAM

http://senecasmedea.blogspot.com/2016/01/blog-post.html

Stephen Spender Prize 2011. READING AT SPENDER AWARDS. Punchy, sharp, visceral, the lines broken up in pauses as if, appropriately, spat on the page." - George Szirtes. Huge dramatic energy and great pace." - Susan Bassnet. It's not, as so many Senecan translations are, Baroque or exaggerated. I was delighted by its taut speakability." - Edith Hall. Holly Hewlett Oxford Theatre Review. Laura Aitken-Burt, Oxford Theatre Review. Watch the first staging of Seneca's Medea. The ancient myth of betrayal, encha...

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Classics & Class » About us.

http://www.classicsandclass.info/about-us

A People's History of Classics. The People’s History of Classics. Began life as an AHRC-funded research project based at King’s College, London called. Classics and Class in Britain 1789-1917. We hope that their example may inspire a more inclusive atmosphere for participation in classical culture across society today. Ancient Greek and Roman Classics and the British Struggle for Social Reform. How did working- and lower-middle-class people access information about the ancient world? Is there is a relati...

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Henry Stead | classicist, writer, translator

Classicist, writer, translator. Create a website or blog at WordPress.com.

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