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lightreadings.com

Lee Ka-sing (LIGHT READINGS 光室草本): Jade tree stretching high across the blue sky

http://www.lightreadings.com/2015/08/blog-post_7.html

Is a photographic journal in diptych form. I began this project in 2014 as a way of generating pictures about the city, fragments of my thoughts, or reflections on my reading. They are carried on like a casual conversation with a friend, or manifested as spontaneously as brush strokes on the pages of a sketchbook. To receive updates of New. Posts, subscribe at leekasing12345. Jade tree stretching high across the blue sky. Jade tree stretching high across the blue sky. More reads this week. Jan 17 - Jan 2...

lightreadings.com

Lee Ka-sing (LIGHT READINGS 光室草本): Building behind a cage

http://www.lightreadings.com/2015/08/blog-post_9.html

Is a photographic journal in diptych form. I began this project in 2014 as a way of generating pictures about the city, fragments of my thoughts, or reflections on my reading. They are carried on like a casual conversation with a friend, or manifested as spontaneously as brush strokes on the pages of a sketchbook. To receive updates of New. Posts, subscribe at leekasing12345. Building behind a cage. Building behind a cage. More reads this week. The water, the plane, seagulls and a piece of cloud. Jan 3 -...

lightreadings.com

Lee Ka-sing (LIGHT READINGS 光室草本): Dream machine

http://www.lightreadings.com/2015/08/blog-post_6.html

Is a photographic journal in diptych form. I began this project in 2014 as a way of generating pictures about the city, fragments of my thoughts, or reflections on my reading. They are carried on like a casual conversation with a friend, or manifested as spontaneously as brush strokes on the pages of a sketchbook. To receive updates of New. Posts, subscribe at leekasing12345. More reads this week. The water, the plane, seagulls and a piece of cloud. The afternoon we were talking about Yayoi Kusama. Dec 1...

leekasing-haiku.blogspot.com

李家昇圖本雜事俳句 PICTURE HAIKU: 圖書館借來武田雅哉《新千年圖像晚會》，早年買過他的《飛翔吧!大清帝國》及《桃源鄕的機械學》。真像一名不結領帶愛騎單車的漢學家

http://leekasing-haiku.blogspot.com/2014/11/blog-post_23.html

Click here to view more works by Lee Ka-sing. 圖書館借來武田雅哉《新千年圖像晚會》，早年買過他的《飛翔吧! 大清帝國》及《桃源鄕的機械學》。真像一名不結領帶愛騎單車的漢學家. 題/序/記： 圖書館借來武田雅哉《新千年圖像晚會》，早年買過他的《飛翔吧! 大清帝國》及《桃源鄕的機械學》。真像一名不結領帶愛騎單車的漢學家. 正在著手木造一台大片幅照相機拍攝負像照片。遠處近方黑白倒對，時空荒謬活的活在誤置光景。天地一線. 在讀兩冊Bob Black從台北帶回來的邱剛健遺作詩集《亡妻，Z，和雜念》《再淫蕩出發的時候》。嘗試找出遠年剪存邱發表在《70雙週刊》的詩件，不獲. 從MOCCA旁邊一間小屋的窗子想開去（MOCCA於今年八月，會自Queen West現址遷出）. 錦煇來訪並留宿。把酒談天，一同閱看又一山人《對話三十x30》若磚塊之兩巨冊出版物。又看了又為某意大利出版社設計之曾灶財藝術冊。我們都說你真好真有那麼大部頭的能量. 昨天錦煇Cherub及新友人等來訪。各人漫行至MOCCA, 遇上Douglas Coupland大家又總有新發見. 圖書館借來武田雅哉&#12...

leekasing-colourwork.blogspot.com

Colour Work 1987-93: Twenty-four Photographers (Positive and Negative version)

http://leekasing-colourwork.blogspot.com/2010/09/blog-post_20.html

Twenty-four Photographers (Positive and Negative version). C-type Photograph in pair. 920mm x 1220mm each. Originally for the invitation card of an exhibition by 24 photographers (I was one of the 24), 1992. Most of the work here were originally made for assignments. And were later included in my exhibition 31 Photographs. 1993, Hong Kong Art Centre) while they were RE-presented as Personal Work. City at the End of Time. A Half-face Lady and the Moving Helicopter. Sheung Ngor On Top of My Another Negative.

leekasing-xpiral.blogspot.com

李家昇博物志之「彈簧軸冊頁」: #42. 荒木經惟卡拉OK唱

http://leekasing-xpiral.blogspot.com/2011/08/42-ok.html

有一回飯澤耕太郎來香港講日本攝影。晚上我約了少許朋友在外國記者會一同飲酒談天。飲盡飯澤卻猶意未盡，探問甚麼好去處可以卡拉OK。一面看著荒木投入的卡拉OK唱，我一面墜入沉思，想著日本人唱卡拉OK可能好像我們廣東人上茶館一樣，生活情趣的一部份。1996年時裝設計師三宅一生爲他的「摺皺系列」邀請了幾位藝術家作演繹式創作，包括森村泰昌，荒木經惟，Tim Hawkinson及蔡國强。有個故事是大會展出之晚，荒木在原不是節目程序下在台上忽然出來大唱卡拉OK，引來全場熱烈反應。這個故事出另一日本朋友之口，未有細緻核正。 12300;彈簧軸冊頁」原稱李家昇百貨店手帳。 寫法如流水敍。小記，每到即止。初看宜從上篇尋紋理。不妨按此以. 2010年在畫廊開設了李家昇百貨店，及後開始了網誌「李家昇百貨店手帳」。百貨店主要展示我個人的創作，也同時售賣及展覽以前所代理的一些友好藝術家作品，他們包括姚瑞中，荒木經惟等。手帳便是以此爲基礎（同時也方便消費者對物件背景有較深入的認識），...

leekasing-colourwork.blogspot.com

Colour Work 1987-93: Communication

http://leekasing-colourwork.blogspot.com/2010/09/blog-post_3915.html

1220mm x 1550mm, c-type photograph. Tokyo Metropolitan Museum of Photography. Originally for the cover of Sin Tao. Most of the work here were originally made for assignments. And were later included in my exhibition 31 Photographs. 1993, Hong Kong Art Centre) while they were RE-presented as Personal Work. City at the End of Time. A Half-face Lady and the Moving Helicopter. Sheung Ngor On Top of My Another Negative. Twenty-four Photographers (Positive and Negative version).

leekasing-photographs.blogspot.com

Photographs 1981-93: Nine Bitter Melons

http://leekasing-photographs.blogspot.com/1990/09/nine-bitter-melons.html

The Red Thread Going from One Point to Another. The View Point From a Piece of Red Rubber Band. An Installation on Light Path. Four Stanzas of a Poem. 35 Objects and the Two Versions of Footnote. Two Objects Inside the Washroom of My Studio. A Presumed Unpolluted Period Between the Dragon Boat Festival and the Mid-Autumn Festival. Hello, Hong Kong.

leekasing-xpiral.blogspot.com

李家昇博物志之「彈簧軸冊頁」: #41. 共舞荒木經惟

http://leekasing-xpiral.blogspot.com/2011/08/41.html

及後多次與荒木經惟會面也試過在不同的酒吧。酒吧彷如他的會客室，不過也有不的類型，較寬或較親密的。也有的隱蔽於高樓廣廈間。這個第一晚會面的酒吧，較寬可容納多人，後來也來過幾趟。有一回與羽仁未央在一起，介紹予荒木一些香港的朋友，包括劉健威和也斯等。好像也是在這裡介紹了杜可風。杜與荒木，一見如故。荒木邀Holly共舞，之後荒木便個人獨唱卡拉OK。 12300;彈簧軸冊頁」原稱李家昇百貨店手帳。 寫法如流水敍。小記，每到即止。初看宜從上篇尋紋理。不妨按此以. 2010年在畫廊開設了李家昇百貨店，及後開始了網誌「李家昇百貨店手帳」。百貨店主要展示我個人的創作，也同時售賣及展覽以前所代理的一些友好藝術家作品，他們包括姚瑞中，荒木經惟等。手帳便是以此爲基礎（同時也方便消費者對物件背景有較深入的認識），寫過去與諸友之交往，一些脈絡，也寫一些他們的近事。唯各篇均短小以百數字為限，點到即止。不盡言者又寫...

leekasing-xpiral.blogspot.com

李家昇博物志之「彈簧軸冊頁」: #43. 飯澤耕太郎「都市之視線」增補版袋裝本

http://leekasing-xpiral.blogspot.com/2011/08/43.html

43 飯澤耕太郎「都市之視線」增補版袋裝本. 提過飯澤耕太郎的「都市之視線」，最近在圖書館看到一冊袋裝版本。平凡社，2005年10月初版。是個版本亦是個增訂本，比原來版本多收入四篇補論，分別談及野島康三，福原信三，淵上白陽，安井仲治。卷末並收評論家海野弘解說文。 12300;彈簧軸冊頁」原稱李家昇百貨店手帳。 寫法如流水敍。小記，每到即止。初看宜從上篇尋紋理。不妨按此以. 2010年在畫廊開設了李家昇百貨店，及後開始了網誌「李家昇百貨店手帳」。百貨店主要展示我個人的創作，也同時售賣及展覽以前所代理的一些友好藝術家作品，他們包括姚瑞中，荒木經惟等。手帳便是以此爲基礎（同時也方便消費者對物件背景有較深入的認識），寫過去與諸友之交往，一些脈絡，也寫一些他們的近事。唯各篇均短小以百數字為限，點到即止。不盡言者又寫另篇。最初發表在新浪的微博，微博也有一些規限&#65...