ngreenstudios.com
Nancy Green – Contemporary Fine ArtSite design by . mccallum design.
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Nancy Green – Contemporary Fine Art | ngreenstudios.com Reviews
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ngreenstudios.com
Colorado Plateau Series | Nancy Green – Contemporary Fine Art
http://www.ngreenstudios.com/paintings/colorado-plateau-series
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Representation | Nancy Green – Contemporary Fine Art
http://www.ngreenstudios.com/representation
135 E Main Street. Torrey, UT 84775. Site design by . mccallum design.
Aperture Series | Nancy Green – Contemporary Fine Art
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About | Nancy Green – Contemporary Fine Art
http://www.ngreenstudios.com/about
I also create monotypes and monoprints, a very different process, but with the same set of intentions. Through the use of multiple plates for each print, I seek to suggest the same depths and complexities as in cold wax, but with the particular beauty that comes from the impression of ink into paper. Monotype/Monoprint Workshops, Timberwick Studios, Santa Fe, NM. Oil and Cold Wax Workshops, Rebecca Crowell, Levels I, II, and Masters. Studio Group Workshops, Helper, UT. MLS, Library Science, UC Berkeley.
Paintings | Nancy Green – Contemporary Fine Art
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ngreen studios: saturation
http://ngreenstudios.blogspot.com/2014/09/saturation.html
Welcome to my online journal, where I reflect on art, what it means to me, and the processes I use to create it. nancy green. Friday, September 5, 2014. Subscribe to: Post Comments (Atom). Resources for Cold Wax Painting. Simple template. Powered by Blogger.
ngreen studios: August 2013
http://ngreenstudios.blogspot.com/2013_08_01_archive.html
Welcome to my online journal, where I reflect on art, what it means to me, and the processes I use to create it. nancy green. Saturday, August 31, 2013. I have been thinking more about Diebenkorn's work, thanks in large part to the excellent essays in Richard Diebenkorn: The Berkeley Years, 1953-1966. He materiality of his abstract work is in tension with the “presentness” of natural form, so that. Imagination and observation somehow merge. How do I interpret natural forms in relation to my own feelings?
ngreen studios: strata
http://ngreenstudios.blogspot.com/2014/11/strata.html
Welcome to my online journal, where I reflect on art, what it means to me, and the processes I use to create it. nancy green. Friday, November 28, 2014. Judith Brodie's book Yes, no, maybe: Artists working at Crown Point Press. Subscribe to: Post Comments (Atom). Resources for Cold Wax Painting. Simple template. Powered by Blogger.
ngreen studios: July 2014
http://ngreenstudios.blogspot.com/2014_07_01_archive.html
Welcome to my online journal, where I reflect on art, what it means to me, and the processes I use to create it. nancy green. Thursday, July 31, 2014. Perhaps it is my West Coast orientation, but Crown Point Press. In San Francisco has captured my attention as an important player in the modern printmaking world. It helps that both Richard Diebenkorn and Wayne Thiebaud, two of the gods in my personal art pantheon, worked and published there. It also helps that Kathan Brown. Crown Point certainly seems to ...
ngreen studios: combining techniques
http://ngreenstudios.blogspot.com/2014/11/combining-techniques.html
Welcome to my online journal, where I reflect on art, what it means to me, and the processes I use to create it. nancy green. Monday, November 17, 2014. Inspired by Howard Hersh's work in Julia Ayres's Monotypes. I spent an intense morning trying to put together my skills and knowledge to date, to produce a satisfying print. I wanted to try blending, masking, multiple runs, and chine collé, all together. Subscribe to: Post Comments (Atom). Resources for Cold Wax Painting.
ngreen studios: learning to control the ink
http://ngreenstudios.blogspot.com/2014/10/learning-to-control-ink.html
Welcome to my online journal, where I reflect on art, what it means to me, and the processes I use to create it. nancy green. Monday, October 27, 2014. Learning to control the ink. In principle, my method worked. The underlayers did show through, as I wanted. The problem was in the second plate, whose colors were too close in value and too heavily laid down to give the effect I sought. How to lighten up that second plate? Greater distinctions in value? This was done in Gamblin relief ink.
ngreen studios: questions of control
http://ngreenstudios.blogspot.com/2014/11/questions-of-control.html
Welcome to my online journal, where I reflect on art, what it means to me, and the processes I use to create it. nancy green. Sunday, November 9, 2014. The other, related question was, when is it necessary to wipe out of the first layer and paint into the blank spaces, rather than layer on top? Subscribe to: Post Comments (Atom). Resources for Cold Wax Painting. Simple template. Powered by Blogger.
ngreen studios: August 2014
http://ngreenstudios.blogspot.com/2014_08_01_archive.html
Welcome to my online journal, where I reflect on art, what it means to me, and the processes I use to create it. nancy green. Thursday, August 28, 2014. Sunday, August 24, 2014. To Monotype: the painterly print. On their website, in which they recommend the use of their "relief inks" and "burnt plate oil" for monotypes rather than oil paints and linseed oil. But Gamblin also makes "etching inks" and I am not sure what the difference is. Also, the relief inks arrived in cans, but are shown in jars...I was...
ngreen studios: October 2013
http://ngreenstudios.blogspot.com/2013_10_01_archive.html
Welcome to my online journal, where I reflect on art, what it means to me, and the processes I use to create it. nancy green. Tuesday, October 29, 2013. I am more relaxed, less hurried, more involved in the process and in small refinements. I have a sense of more resources at my disposal, and a greater awareness of the variety of techniques available to me. I am glad to get back to cold wax and oil, but am also glad to know about the possibilities of acrylics. Wednesday, October 16, 2013. I still want to...
ngreen studios: October 2014
http://ngreenstudios.blogspot.com/2014_10_01_archive.html
Welcome to my online journal, where I reflect on art, what it means to me, and the processes I use to create it. nancy green. Monday, October 27, 2014. Learning to control the ink. In principle, my method worked. The underlayers did show through, as I wanted. The problem was in the second plate, whose colors were too close in value and too heavily laid down to give the effect I sought. How to lighten up that second plate? Greater distinctions in value? This was done in Gamblin relief ink.
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N.Greenlee – Graphics/Photography/Productions
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Nick's Blog
Wednesday, 10 December 2008. After my animation was done i went to render. There was a large number of problems when i went to do this. To do it one scene it was predicted that it would take172 hours. I desided the only way i could reduce this time was to lower the amount of detail in the scenes and devide the scenes in to shot clips. By doing this the rendering time was shortend greatly. Monday, 8 December 2008. The last part of the project was to animate the scenes. Saturday, 6 December 2008. When I wa...
ngreen studios
Welcome to my online journal, where I reflect on art, what it means to me, and the processes I use to create it. nancy green. Wednesday, December 17, 2014. Jerome and I traveled to Santa Fe last week, where I participated in a three-day workshop in monotype from master printer Ron Pokrasso. Friday, November 28, 2014. Judith Brodie's book Yes, no, maybe: Artists working at Crown Point Press. I then created a 12"x14" plate for each of the templates in turn, using the subtractive method. I coated each p...
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How to use this blog? Tuesday, December 19, 2017. Guitar Practice Session #3 12/18/17. December 19, 2017. Friday, December 15, 2017. Guitar Practice Session #2- 12/14/17. December 15, 2017. Monday, December 11, 2017. Practice Session #1- 12/11/17. December 11, 2017. Sunday, July 13, 2014. A Week For Devotion. July 13, 2014. Wednesday, July 9, 2014. Will The Circle Be Unbroken? Not if I can help it! Will the circle be unbroken. By and by, Lord, by and by. There's a better home awaitin'. July 09, 2014.
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