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Wednesday, December 9, 2009. Bernadette Corporation @ Greene Naftali. When asked to summarize normative trends in contemporary art in a (somewhat) recent Texte Zur Kunst, Alex Alberro concludes with the following:. That is, if desire (with its never-hesitant de/re-territorializing reboots) is the wellspring of subjective formation, does "death" even exist? Would it be then that the history of contemporary art, as it is proceeds from its "modern" origins, through the actualization such a cluster of libidi...

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NYFAL Archive | nyfalarchive.blogspot.com Reviews

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Wednesday, December 9, 2009. Bernadette Corporation @ Greene Naftali. When asked to summarize normative trends in contemporary art in a (somewhat) recent Texte Zur Kunst, Alex Alberro concludes with the following:. That is, if desire (with its never-hesitant de/re-territorializing reboots) is the wellspring of subjective formation, does death even exist? Would it be then that the history of contemporary art, as it is proceeds from its modern origins, through the actualization such a cluster of libidi...

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NYFAL Archive | nyfalarchive.blogspot.com Reviews

https://nyfalarchive.blogspot.com

Wednesday, December 9, 2009. Bernadette Corporation @ Greene Naftali. When asked to summarize normative trends in contemporary art in a (somewhat) recent Texte Zur Kunst, Alex Alberro concludes with the following:. That is, if desire (with its never-hesitant de/re-territorializing reboots) is the wellspring of subjective formation, does "death" even exist? Would it be then that the history of contemporary art, as it is proceeds from its "modern" origins, through the actualization such a cluster of libidi...

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nyfalarchive.blogspot.com

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NYFAL Archive: March 2009

http://www.nyfalarchive.blogspot.com/2009_03_01_archive.html

Monday, March 16, 2009. Martyrs and Some Notes on French Horrors Recent History, part I. After premiering almost a year ago at Cannes, ". Has generated perhaps the most horror fan interest over any other film this year (maybe after Sam. Excellent-looking return to the genre,. Drag Me To Hell. However, before I discuss Martyrs in particular, I find it useful to consider some of its contextual. After some of the country's most. In increasingly brutal (and. First feature, ". 2002), did the. Art-house preced...

2

NYFAL Archive: November 2008

http://www.nyfalarchive.blogspot.com/2008_11_01_archive.html

Tuesday, November 18, 2008. First the excuse: no good shows. Second the apology: sorry to all who might have been expecting a post regarding shows that took place during October. I plan to steer this mutha back on course as a whole slew of great (and terrible) shows have popped up to fulfill all our luxury x-mas wishes. Subscribe to: Posts (Atom). View my complete profile.

3

NYFAL Archive: December 2009

http://www.nyfalarchive.blogspot.com/2009_12_01_archive.html

Wednesday, December 9, 2009. Bernadette Corporation @ Greene Naftali. When asked to summarize normative trends in contemporary art in a (somewhat) recent Texte Zur Kunst, Alex Alberro concludes with the following:. That is, if desire (with its never-hesitant de/re-territorializing reboots) is the wellspring of subjective formation, does "death" even exist? Would it be then that the history of contemporary art, as it is proceeds from its "modern" origins, through the actualization such a cluster of libidi...

4

NYFAL Archive: September 2009

http://www.nyfalarchive.blogspot.com/2009_09_01_archive.html

Tuesday, September 29, 2009. So there's been some delay in real-deal activity 'round these here parts.this will soon be remedied! Within the coming weeks, expect reviews of Bernadette Corporation @ Greene Naftali (best show in NYC with an added bonus footnote of JK's Worldebt), Marc Camille Chaimowicz @ Artists Space (Queer as Folk meets Jack Smith? And maybe a scathing Das Institut review (as if I need to be any more of an ass.). Just saw Taylor Momsen in chelsea! Here's to the future. Mosset first exh...

5

NYFAL Archive: Unfinished Business...

http://www.nyfalarchive.blogspot.com/2009/12/unfinished-business_9478.html

Wednesday, December 9, 2009. Reader warning. late night bender. British art (my favorite past-time at this menial job was looking for "deals" in auction catalogues) my cow-pie naïveté surged forth and timidly recommended Merlin. Given the little I know of his person, Carpenter. Nothing about England's geography.correct me if I'm wrong.). S acerbic pissings. As profanity trails the sacred, so, too, the country mouse. The narrative of provincial tension is certainly miniaturized discursively by its context...

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jerrymagoo.blogspot.com

ART OBSERVATIONS WITH JERRY MAGOO: August 2014

http://jerrymagoo.blogspot.com/2014_08_01_archive.html

Thursday, August 28, 2014. Tuesday, August 5, 2014. True art is characterized by an irresistible. Urge in the creative artist. Take It To The Next Level. Its Not Magic, Its Modern Science. New Heights Of Excellence. Our Work Speaks For Itself. Don't hesitate to reach out &. See what we can do for you! Stay on the cutting edge. Just let your Imagination loose…. Refurbish old or worn. Subscribe to: Posts (Atom). Who Do You Love? There was an error in this gadget.

jerrymagoo.blogspot.com

ART OBSERVATIONS WITH JERRY MAGOO: January 2014

http://jerrymagoo.blogspot.com/2014_01_01_archive.html

Friday, January 31, 2014. Monday, January 27, 2014. Sunday, January 26, 2014. Saturday, January 18, 2014. Friday, January 10, 2014. Subscribe to: Posts (Atom). Who Do You Love? There was an error in this gadget. Simple template. Template images by ULTRA GENERIC.

jerrymagoo.blogspot.com

ART OBSERVATIONS WITH JERRY MAGOO: April 2014

http://jerrymagoo.blogspot.com/2014_04_01_archive.html

Monday, April 28, 2014. Tormentedsoul #aaaaarrgg #brohumor #ohmagawdsorrylike #bro. Saturday, April 19, 2014. Monday, April 7, 2014. Subscribe to: Posts (Atom). Who Do You Love? There was an error in this gadget. Tormentedsoul #aaaaarrgg #brohumor #ohmagawdsorry. Simple template. Template images by ULTRA GENERIC.

jerrymagoo.blogspot.com

ART OBSERVATIONS WITH JERRY MAGOO: October 2014

http://jerrymagoo.blogspot.com/2014_10_01_archive.html

Saturday, October 11, 2014. RIP Mario ;-(. Thursday, October 9, 2014. Tuesday, October 7, 2014. Subscribe to: Posts (Atom). Who Do You Love? There was an error in this gadget. RIP Mario ;-(. Simple template. Template images by ULTRA GENERIC.

jerrymagoo.blogspot.com

ART OBSERVATIONS WITH JERRY MAGOO: April 2015

http://jerrymagoo.blogspot.com/2015_04_01_archive.html

Friday, April 3, 2015. Subscribe to: Posts (Atom). Who Do You Love? There was an error in this gadget. Simple template. Template images by ULTRA GENERIC.

jerrymagoo.blogspot.com

ART OBSERVATIONS WITH JERRY MAGOO: March 2014

http://jerrymagoo.blogspot.com/2014_03_01_archive.html

Monday, March 31, 2014. For us, alternative culture doesn’t have a lot of relevance. Everything is consumed by commercialism right away now, especially with the internet. It’s funny because I’m not that young – when I was in high school there was definitely an alternative culture, like indie or whatever. But now it’s like. Is cool. And it’s funny. Friday, March 28, 2014. UEBER DAS RADIKALE NEBENEINANDER. UEBER DAS RADIKALE NEBENEINANDER. Yorgos Sapountzis, Lucie Stahl, Josef Strau, Philipp Timischl.

jerrymagoo.blogspot.com

ART OBSERVATIONS WITH JERRY MAGOO

http://jerrymagoo.blogspot.com/2014/12/as-artist-hannah-black-has-written-once.html

Friday, December 5, 2014. As artist Hannah Black has written, “Once, only the professional Fat Bastard adorned all major media outlets; now social media makes of everyone a Fat Bastard, should they be willing.”. MEME HERGESTELLT VON/BY AVERY SIGNER. MEME HERGESTELLT VON/BY AVERY SIGNER. Subscribe to: Post Comments (Atom). Who Do You Love? There was an error in this gadget. As artist Hannah Black has written, “Once, only th. Simple template. Template images by ULTRA GENERIC.

jerrymagoo.blogspot.com

ART OBSERVATIONS WITH JERRY MAGOO: December 2014

http://jerrymagoo.blogspot.com/2014_12_01_archive.html

Saturday, December 6, 2014. Friday, December 5, 2014. As artist Hannah Black has written, “Once, only the professional Fat Bastard adorned all major media outlets; now social media makes of everyone a Fat Bastard, should they be willing.”. MEME HERGESTELLT VON/BY AVERY SIGNER. MEME HERGESTELLT VON/BY AVERY SIGNER. Subscribe to: Posts (Atom). Who Do You Love? There was an error in this gadget. As artist Hannah Black has written, “Once, only th. Simple template. Template images by ULTRA GENERIC.

jerrymagoo.blogspot.com

ART OBSERVATIONS WITH JERRY MAGOO

http://jerrymagoo.blogspot.com/2014/11/holiday-season-airbnb-opportunity-hi.html

Thursday, November 27, 2014. Holiday Season Airbnb = Opportunity. Want to earn some extra income this Holiday Season while welcoming travelers from all over the world? Take the first step: update your Airbnb listing today! We understand that maintaining a listing takes work - we are here to help. Let us start by sharing with you our hospitality standards. Standards and how top hosts perform in your markets:. User Description(No. of descriptive words). Listing Photo(No. of good quality photos). Make sure ...

jerrymagoo.blogspot.com

ART OBSERVATIONS WITH JERRY MAGOO: December 2013

http://jerrymagoo.blogspot.com/2013_12_01_archive.html

Monday, December 30, 2013. ALGUS GREENSPON 71 Morton Street New York, 10014 1 212 255 7872. January 4 - February 15, 2013. Opening reception: Saturday January 4, 5-8pm. Algus Greenspon announces an exhibition by the sculptor William King, opening on Saturday, January 4. And running through February 15, 2014. A reception for the artist will be held on the day of the opening from 5 to 8 pm. William King lives with his wife, the painter Connie Fox, in East Hampton, NY. Wednesday, December 11, 2013.

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NYFAL Archive

Wednesday, December 9, 2009. Bernadette Corporation @ Greene Naftali. When asked to summarize normative trends in contemporary art in a (somewhat) recent Texte Zur Kunst, Alex Alberro concludes with the following:. That is, if desire (with its never-hesitant de/re-territorializing reboots) is the wellspring of subjective formation, does "death" even exist? Would it be then that the history of contemporary art, as it is proceeds from its "modern" origins, through the actualization such a cluster of libidi...

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