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The Oregon Petrarch Open Book | "Petrarch is again in sight"

Skip to main content. The Oregon Petrarch Open Book. Petrarch is again in sight". Welcome to the Petrarch Project. Welcome to the Oregon Petrarch Open Book Project: "Petrarch is again in sight." In a poem dedicated to Osip Mandelstam, a Russian poet who disappeared in Stalin's Gulag, Paul Celan speaks of a petrified desert where it is still possible to see a rudimentary form that leads him to conclude: "Petrarch is again in sight.". The OPOB includes Ettore Modigliani’s diplomatic edition of the.

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The Oregon Petrarch Open Book | "Petrarch is again in sight" | petrarch.uoregon.edu Reviews

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Skip to main content. The Oregon Petrarch Open Book. Petrarch is again in sight. Welcome to the Petrarch Project. Welcome to the Oregon Petrarch Open Book Project: Petrarch is again in sight. In a poem dedicated to Osip Mandelstam, a Russian poet who disappeared in Stalin's Gulag, Paul Celan speaks of a petrified desert where it is still possible to see a rudimentary form that leads him to conclude: Petrarch is again in sight.. The OPOB includes Ettore Modigliani’s diplomatic edition of the.

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The Oregon Petrarch Open Book | "Petrarch is again in sight" | petrarch.uoregon.edu Reviews

https://petrarch.uoregon.edu

Skip to main content. The Oregon Petrarch Open Book. Petrarch is again in sight". Welcome to the Petrarch Project. Welcome to the Oregon Petrarch Open Book Project: "Petrarch is again in sight." In a poem dedicated to Osip Mandelstam, a Russian poet who disappeared in Stalin's Gulag, Paul Celan speaks of a petrified desert where it is still possible to see a rudimentary form that leads him to conclude: "Petrarch is again in sight.". The OPOB includes Ettore Modigliani’s diplomatic edition of the.

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petrarch.uoregon.edu

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Introduction: The Main Assets Included in the OPOB | The Oregon Petrarch Open Book

https://petrarch.uoregon.edu/introduction-main-assets-included-opob

Skip to main content. The Oregon Petrarch Open Book. Petrarch is again in sight". Introduction: The Main Assets Included in the OPOB. The OPOB includes Ettore Modigliani’s diplomatic edition of the. Gianfranco Contini’s and Giuseppe Savoca’s critical editions; the cod. Queriniano D II 21; the Inc. Queriniano G V 15; Alessandro Vellutello’s commentary; complete English, Spanish and French translations and partial translations in Russian, Chinese, Japanese and German. The ideal reader may read Petrarch’s.

2

History of the Project | The Oregon Petrarch Open Book

https://petrarch.uoregon.edu/history-project

Skip to main content. The Oregon Petrarch Open Book. Petrarch is again in sight". History of the Project. The prehistory of the Oregon Petrarch Open Book (or OPOB) started in connection with two courses on Petrarch's. In 2010 the project received a Level II Digital Humanities Start-Up Grant. This grant enabled collaboration with a new web designer, Travis Shea, and the Knight Library, making possible the addition and visualization of new versions of Petrarch’s. Humanist Studies and the Digital Age. The i...

3

Introduction: Reading the OPOB | The Oregon Petrarch Open Book

https://petrarch.uoregon.edu/rvf

Skip to main content. The Oregon Petrarch Open Book. Petrarch is again in sight". Introduction: Reading the OPOB. The philology and reception of Petrarch's. Is almost seven centuries old. However, as all the masterpieces of world literature, "it cannot be inherited" but every new generation must obtain it "by great labour" (Eliot). The OPOB values philology's three fundamental elements:. Philology: restitutio and traditio. Philosophy and hypertext: for a more than human humanism.

4

Introduction: Using the OPOB tools | The Oregon Petrarch Open Book

https://petrarch.uoregon.edu/apparatus

Skip to main content. The Oregon Petrarch Open Book. Petrarch is again in sight". Introduction: Using the OPOB tools. Menu allows user to consult the different assets of the site, from pedagogical apparatuses such as paraphrases and summaries of individual poems to specific archives (audio-visual), from contemporary rewritings and tweets to commentaries to individual poems. Our site does not include at the moment a biographical and historical introduction to Petrarch and to the. 1525); the link Rewritings.

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Introduction: adding content to the Open Book | The Oregon Petrarch Open Book

https://petrarch.uoregon.edu/introduction-adding-content-open-book

Skip to main content. The Oregon Petrarch Open Book. Petrarch is again in sight". Introduction: adding content to the Open Book. This menu allows scholars and students to enter new content into the OPOB. The list of links refer to submission forms that are linked to the base texts of the RVF. We are currently implementing an experiment in crowd sourcing inviting our registered users to provide translations of the 366 Italian tweets of the. The submissions will be moderated.

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journals.oregondigital.org

Humanist Studies & the Digital Age

http://journals.oregondigital.org/hsda

Vol 4, No 1 (2015). Humanist Studies and the Digital Age. This peer-reviewed e-journal is devoted to the reformulation of received philological and philosophical ideas of writing and reading literary works, motivated by the advent of electronic texts. Scholarly Networks and the Emerging Platforms for Humanities Research and Publication. Vol 4, No 1 (2015): Lector in Rete: Figures of the Reader in Digital Humanities. Issue editors: Jeff Staiger and Massimo Lollini.

journals.library.oregonstate.edu

Vol 4, No 1 (2015)

http://journals.library.oregonstate.edu/hsda/issue/current

Vol 4, No 1 (2015). Vol 4, No 1 (2015). Lector in Rete: Figures of the Reader in Digital Humanities. Detail from Tables, etc., by William Norton of Coventry (1403), Bodleian Library, University of Oxford]. Issue editors: Jeff Staiger and Massimo Lollini.

journals.library.oregonstate.edu

Humanist Studies & the Digital Age

http://journals.library.oregonstate.edu/hsda

Vol 4, No 1 (2015). Humanist Studies and the Digital Age. This peer-reviewed e-journal is devoted to the reformulation of received philological and philosophical ideas of writing and reading literary works, motivated by the advent of electronic texts. Scholarly Networks and the Emerging Platforms for Humanities Research and Publication. Vol 4, No 1 (2015): Lector in Rete: Figures of the Reader in Digital Humanities. Issue editors: Jeff Staiger and Massimo Lollini.

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Projects | Karen Estlund

https://karenestlund.com/projects

Selected Current Library Projects. Oregon Digital Newspaper Program. Ada: a journal of gender, new media and technology. Creating a Digital Scholarship Center. Hydra Implementation for Oregon Digital. Transitioning to RDF and Linked Data. History of Search Engine Optimization. Privacy and Smartphone App Development. Takedown Notices and Fair Uses. Work: Penn State Libraries. School: PhD Program in Communication and Society / Media Studies. Create a free website or blog at WordPress.com.

journals.oregondigital.org

Vol 4, No 1 (2015)

http://journals.oregondigital.org/hsda/issue/current

Vol 4, No 1 (2015). Vol 4, No 1 (2015). Lector in Rete: Figures of the Reader in Digital Humanities. Detail from Tables, etc., by William Norton of Coventry (1403), Bodleian Library, University of Oxford]. Issue editors: Jeff Staiger and Massimo Lollini.

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Starting bid: 2,160 EUR. Francesco Petrarca, also known simply as Petrarch, was born on July 20, 1304, in Arrezo, Italy. He followed his father, who had been exiled for political reasons, first to Pisa, then to Avignon. There he received instruction in grammar, rhetoric, and dialectic. He finally began studying law in Bologna for a time, then in Montepellier, but he never finished his course of studies. In his "Epistulae," Petrarch's humanistic attitude is shown in full. Also, the first depiction of ...

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petrarch.uoregon.edu

The Oregon Petrarch Open Book | "Petrarch is again in sight"

Skip to main content. The Oregon Petrarch Open Book. Petrarch is again in sight". Welcome to the Petrarch Project. Welcome to the Oregon Petrarch Open Book Project: "Petrarch is again in sight." In a poem dedicated to Osip Mandelstam, a Russian poet who disappeared in Stalin's Gulag, Paul Celan speaks of a petrified desert where it is still possible to see a rudimentary form that leads him to conclude: "Petrarch is again in sight.". The OPOB includes Ettore Modigliani’s diplomatic edition of the.

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