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GALERÍA LILIANA CASTILLO RESENDIZ | PRINTS /CRONISTAS/ DIGITAL MEDIA COLLECTIVE

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GALERÍA LILIANA CASTILLO RESENDIZ | PRINTS /CRONISTAS/ DIGITAL MEDIA COLLECTIVE | prints.cronistas.org Reviews

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GALERÍA LILIANA CASTILLO RESENDIZ | PRINTS /CRONISTAS/ DIGITAL MEDIA COLLECTIVE

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GALERÍA LILIANA CASTILLO RESENDIZ. GALERÍA LILIANA CASTILLO RESENDIZ. GALERÍA LILIANA CASTILLO RESENDEZ.

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FEATURED | GALERÍA LILIANA CASTILLO RESENDIZ

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GALERÍA LILIANA CASTILLO RESENDIZ. 8×10″ Archival Print. Limited Edition # 1-25. 8×20″ Archival Print. Spectacle, Image 1. Limited Edition # 1-25. 8×12″ Archival Print. JEFF ST. ANDREWS. Your cart is empty. ORDER AND SHIPMENT INFO. Various framing options are available for additional fees. If you would like to discuss custom framing options contact us at either of the numbers below between 10am and 4 p.m (Central time) Monday through Thursday. Or at 510 984 3617. In the US or 55 6889 7156.

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INFO | GALERÍA LILIANA CASTILLO RESENDIZ

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GALERÍA LILIANA CASTILLO RESENDIZ. Galería Liliana Castillo Resendiz houses prints produced by documentarians and artists associated with the. CRONISTAS/ Digital Media Collective. Unless otherwise noted, all pieces are numbered, professionally printed on acid-free, archival quality paper and, if opted for, are mounted in museum quality frames with non-reflective glass.

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/CRONISTAS/

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GALERÍA LILIANA CASTILLO RESINDIZ. GALERÍA LILIANA CASTILLO RESINDIZ. Political extremism is not an ideology. It is an approach to politics, driven by an ardent devotion to a cause, that: 1) refuses to compromise on basic principles; 2) divides the world into friends and enemies; 3) puts pressure on the moderate middle; 4) tries to build a constituency; 5) engages in legal and illegal direct action; and 6) seeks to build a new cultural hegemony or common sense. The Aesthetics of Hunger. In Barrio Logan, ...

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THE DAY THE MOUNTAINS MOVE | /CRONISTAS/

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GALERÍA LILIANA CASTILLO RESINDIZ. GALERÍA LILIANA CASTILLO RESINDIZ. The day the mountains move has come. I speak, but no one believes me. For a time the mountains have been asleep. But long ago they all danced with fire. It doesn’t matter if you don’t believe this,. My friends, as long as you believe:. All the sleeping women. Are now awake and moving. Yosano Akiko (Japan, 1911). The People Vs Ronald Regan.

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WHO WE ARE | /CRONISTAS/

http://www.cronistas.org/us

GALERÍA LILIANA CASTILLO RESINDIZ. GALERÍA LILIANA CASTILLO RESINDIZ. México: (55) 4169-1327 United States: (510) 984-3617. Notes and Special Instructions. Box on the contribution screen. PHOTO: On the beach in Tijuana / two little girls forget / that they are two different people / and see into tomorrow / a blinding bright light / and the shedding of skin / like that of snakes.

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/CRONISTAS/

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GALERÍA LILIANA CASTILLO RESINDIZ. GALERÍA LILIANA CASTILLO RESINDIZ. The day the mountains move has come. I speak, but no one believes me. For a time the mountains have been asleep. But long ago they all danced with fire. It doesn't matter if you don't believe this,. My friends, as long as you believe:. All the sleeping women. Are now awake and moving. Yosano Akiko (Japan, 1911). The Aesthetics of Hunger. For an Imperfect Cinema. Dissentiments of the Nation. YEAST: SUMMER SOLSTICE 2014. Will be screenin...

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/CRONISTAS/

http://www.cronistas.org/page/12

GALERÍA LILIANA CASTILLO RESINDIZ. GALERÍA LILIANA CASTILLO RESINDIZ. While [its] roots remain important, Third Cinema can no longer be defined solely in terms of its radical beginnings, its ancestry.[it] was always a cinema of change; to define it simply in terms of its original ideas is to reduce it to.a static historical phenomenon: something past or dead. Third Cinema, however, continues to live on, and like all living things, it cannot stay the same. The Aesthetics of Hunger. For an Imperfect Cinema.

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FILM AND RADICAL POLITICS DIGITAL LIBRARY | /CRONISTAS/

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GALERÍA LILIANA CASTILLO RESINDIZ. GALERÍA LILIANA CASTILLO RESINDIZ. FILM AND RADICAL POLITICS. A growing collection of essays, articles, manifestos, zines, pamphlets, books, photos, links, study guides, and other documents concerning the history, theory and practice of revolutionary cinema; as well as an eclectic mix of publications by revolutionary organizations and documents that emerged from or are about various social and political movements. Imagining Alternatives, African Cinema in the New Century.

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/CRONISTAS/

http://www.cronistas.org/page/10

GALERÍA LILIANA CASTILLO RESINDIZ. GALERÍA LILIANA CASTILLO RESINDIZ. FIFTH AVENUE, UPTOWN. The Aesthetics of Hunger. For an Imperfect Cinema. Dissentiments of the Nation. YEAST: SUMMER SOLSTICE 2014. THE DAY THE MOUNTAINS MOVE. So That Mayakovsky’s Suicide Not Be Repeated. The Last Clear Definite Function of Man. Radical Media Practice in the Digital Age. Fifth Avenue, Uptown. Radically Democratic Extremism: An Interview With Joel Olson. Hacia Un Tercer Cine. NEWS AND UPCOMING EVENTS. Not Anymore: A Sto...

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/CRONISTAS/

http://www.cronistas.org/page/4

GALERÍA LILIANA CASTILLO RESINDIZ. GALERÍA LILIANA CASTILLO RESINDIZ. We urge that revolutionaries begin.to think in political/military terms.we must acknowledge that the state’s increased repression is being conducted in a political/military manner; those radical solutions which have successfully occurred and will be occurring (occupation of homes. factories, defense of undocumented workers, confrontation of environmental destruction, etc.), demand such an approach.". YEAST: SUMMER SOLSTICE 2014. In Bar...

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/CRONISTAS/

http://www.cronistas.org/page/8

GALERÍA LILIANA CASTILLO RESINDIZ. GALERÍA LILIANA CASTILLO RESINDIZ. Fear the time when the strikes stop while the great owners live for every little beaten strike is proof that the step is being taken. In this you can know fear the time when man self will not suffer and die for a concept, for this one quality is the foundation of man self, in this one quality is man, distinctive in the universe.". THE GRAPES OF WRATH. The Aesthetics of Hunger. For an Imperfect Cinema. Dissentiments of the Nation. The G...

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WORK | /CRONISTAS/

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GALERÍA LILIANA CASTILLO RESINDIZ. GALERÍA LILIANA CASTILLO RESINDIZ. Justice for Lil’ A.O.

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GALERÍA LILIANA CASTILLO RESENDIZ | PRINTS /CRONISTAS/ DIGITAL MEDIA COLLECTIVE

GALERÍA LILIANA CASTILLO RESENDIZ. GALERÍA LILIANA CASTILLO RESENDIZ. GALERÍA LILIANA CASTILLO RESENDEZ.

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