Like its journal Radical Musicology, this blog espouses no particular theoretical line, ideology or programme. However, responding to a perception that the projects going under the names of ‘new’ and ‘critical’ musicology have been succeeded by a certain disciplinary retrenchment or even counter-reaction, we aim to encourage work which explicitly or implicitly interrogates existing paradigms,…
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radical musicology blog | radmus.wordpress.com Reviews
https://radmus.wordpress.com
Like its journal Radical Musicology, this blog espouses no particular theoretical line, ideology or programme. However, responding to a perception that the projects going under the names of ‘new’ and ‘critical’ musicology have been succeeded by a certain disciplinary retrenchment or even counter-reaction, we aim to encourage work which explicitly or implicitly interrogates existing paradigms,…
radmus.wordpress.com
Fernandez, Ingrid | radical musicology blog
https://radmus.wordpress.com/2014/01/14/fernandez-ingrid
Start your own debate. Brides’ Tales: Visions of Feminine Virtue and Degradation in Nick Cave’s Murder Ballads. Post comments on this article below. Posted in volume 6 (2012-13). January 14, 2014. Da Silva, João. Frishkey, Amy →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Start your own debate.
Frishkey, Amy | radical musicology blog
https://radmus.wordpress.com/2014/01/14/frishkey-amy
Start your own debate. Planet Voice: Strange Vocality in ‘World Music’ and Beyond. Post comments on this article below. Posted in volume 6 (2012-13). January 14, 2014. Lowe, Bethany →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out.
Biddle, Ian | radical musicology blog
https://radmus.wordpress.com/2010/10/21/biddle-ian-3
Start your own debate. Visitors, or The Political Ontology of Noise. Post comments on this article below. Posted in fifth column. October 21, 2010. Engelhardt, Jeffers →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Start your own debate.
Sewell, Stacey | radical musicology blog
https://radmus.wordpress.com/2010/02/23/sewell-stacey
Start your own debate. Making My Skin Crawl: Representations and Mediations of the Body in Miya Masaoka’s Ritual, Interspecies Collaboration with Giant Madagascar Hissing Cockroaches. Post comments on this article below. Posted in volume 4 (2009). February 23, 2010. Kordela, A. Kiarina. Priest, eldritch →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your Twitter account. ( Log Out.
Marshman, Anne | radical musicology blog
https://radmus.wordpress.com/2014/01/14/marshman-anne
Start your own debate. Piety and Populism: Tippett’s A Child of Our Time. And the Oratorio Genre. Post comments on this article below. Posted in volume 6 (2012-13). January 14, 2014. Elliott, Richard →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Notify me of new comments via email.
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Radical Musicology
http://www.radical-musicology.org.uk/editorialboard.htm
Editors: Richard Middleton and Ian Biddle. Current Co-ordinating Editors: Nanete de Jong and Ian Biddle. Volume 5 Special Edition (2010-11). Philip V. Bohlman, University of Chicago. John Butt, University of Glasgow. Eric Clarke, University of Oxford. Nicholas Cook, University of Cambridge. Suzanne Cusick, New York University. Mladen Dolar, University of Ljubljana. Olle Edström, University of Gothenburg. Simon Emmerson, De Montfort University, Leicester. Franco Fabbri, University of Turin.
Radical Musicology
http://www.radical-musicology.org.uk/2007.htm
Editors: Richard Middleton and Ian Biddle. Current Co-ordinating Editors: Nanete de Jong and Ian Biddle. Volume 5 Special Edition (2010-11). The Political Economy of Musical Neighbours. Vagrant(ana)music: Three (four) Plateaus of a Contingent Music. Beyond the Global Imaginary: Decoding BBC Radio 3’s. Dallapiccola and the Politics of Commitment: Re-reading. Yodel Species: A Typology of Falsetto Effects in Popular Music Vocal Styles.
Radical Musicology
http://www.radical-musicology.org.uk/editorialcollective.htm
Editors: Richard Middleton and Ian Biddle. Current Co-ordinating Editors: Nanete de Jong and Ian Biddle. Volume 5 Special Edition (2010-11). Ian Biddle (Co-ordinating Editor). Nanette de Jong (Co-ordinating Editor).
Radical Musicology
http://www.radical-musicology.org.uk/2008.htm
Editors: Richard Middleton and Ian Biddle. Current Co-ordinating Editors: Nanete de Jong and Ian Biddle. Volume 5 Special Edition (2010-11). Musicology, Torture, Repair. Suzanne G. Cusick. Alexandros N. Constansis. The Changing Female-To-Male (FTM) Voice. Popular Music and/as Event: Subjectivity, Love and Fidelity in the Aftermath of Rock ’n’ Roll. Speaking the Real: Richard Middleton’s. Being 'In Tune with the Workings of Society': Violence, Maleness, and Two 'Touching Little Ballads'.
Radical Musicology
http://www.radical-musicology.org.uk/index.htm
Editors: Richard Middleton and Ian Biddle. Current Co-ordinating Editors: Nanete de Jong and Ian Biddle. Volume 5 Special Edition (2010-11). Is a peer-reviewed online journal produced in the International Centre for Music Studies at Newcastle University (UK). It was established to provide a forum for progressive thinking across the whole field of musical studies, and encourages work that draws on any and all relevant disciplinary and interdisciplinary perspectives.
Radical Musicology
http://www.radical-musicology.org.uk/2006.htm
Editors: Richard Middleton and Ian Biddle. Current Co-ordinating Editors: Nanete de Jong and Ian Biddle. Volume 5 Special Edition (2010-11). On the Radical in Musicology. Gustavo S. Azenh a. The Internet and the Decentralization of the Popular Music Industry: Critical Reflections on Technology, Concentration, and Diversification. The Case against Nyman Revisited: ‘Affirmative’ and ‘Critical’ evidence in Michael Nyman’s Appropriation of Mozart. Beyond Borders: The Female Welsh Pop Voice.
Radical Musicology
http://www.radical-musicology.org.uk/2010.htm
Editors: Richard Middleton and Ian Biddle. Current Co-ordinating Editors: Nanete de Jong and Ian Biddle. Volume 5 Special Edition (2010-11). Volume 5 (2010-11) Special Issue: Critical Musicology. Has Critical Musicology Aged Well? What Was, or Is, Critical Musicology? For New Musicology: A Farewell. Fred E. Maus. What Was Critical Musicology?
Radical Musicology
http://www.radical-musicology.org.uk/copyright.htm
Editors: Richard Middleton and Ian Biddle. Current Co-ordinating Editors: Nanete de Jong and Ian Biddle. Volume 5 Special Edition (2010-11).
Radical Musicology
http://www.radical-musicology.org.uk/supporters.htm
Editors: Richard Middleton and Ian Biddle. Current Co-ordinating Editors: Nanete de Jong and Ian Biddle. Volume 5 Special Edition (2010-11). This journal is hosted by Newcastle University, UK, and supported by the International Centre for Music Studies. Newcastle University. We are grateful for their help.
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radical musicology blog
Start your own debate. To view our policy on comments. The journal and blog are both produced in the International Centre for Music Studies at Newcastle University (UK). They were both established to provide a forum for progressive thinking across the whole field of musical studies, and we encourage responses to the journal’s contents that draw on any and all relevant disciplinary and interdisciplinary perspectives. Start your own debate. Da Silva, João. Maus, Fred E. Kordela, A. Kiarina. On Wise, Tim.
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