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#two – not the frames, but the things | reciprocal turn

Two not the frames, but the things. The immediate impact that the material presence of artworks causes leads to the following question: How does the materiality of a concrete art object impact the viewer, and how does it relate to the viewer and the art-frame? Not the frames, but the things. Is a provocative trigger for a complex variety of responses. You are warmly invited to explore the contributions! Editorial by Mira Hirtz and Johanna Ziebritzki. My Own Private Idaho (of Art). Column by Daniel Neumann.

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#two – not the frames, but the things | reciprocal turn | reciprocalturn.com Reviews
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Two not the frames, but the things. The immediate impact that the material presence of artworks causes leads to the following question: How does the materiality of a concrete art object impact the viewer, and how does it relate to the viewer and the art-frame? Not the frames, but the things. Is a provocative trigger for a complex variety of responses. You are warmly invited to explore the contributions! Editorial by Mira Hirtz and Johanna Ziebritzki. My Own Private Idaho (of Art). Column by Daniel Neumann.
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2 offlive
3 the simple opposition
4 editorial
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6 pretty obvious
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#two – not the frames, but the things | reciprocal turn | reciprocalturn.com Reviews

https://reciprocalturn.com

Two not the frames, but the things. The immediate impact that the material presence of artworks causes leads to the following question: How does the materiality of a concrete art object impact the viewer, and how does it relate to the viewer and the art-frame? Not the frames, but the things. Is a provocative trigger for a complex variety of responses. You are warmly invited to explore the contributions! Editorial by Mira Hirtz and Johanna Ziebritzki. My Own Private Idaho (of Art). Column by Daniel Neumann.

INTERNAL PAGES

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1

Hair Piece | reciprocal turn

http://www.reciprocalturn.com/ausgabe/two/hair-piece

Making of the Hair Piece in eight pictures:. Hair Piece (Haarstück)/ 2013-2014/ 1000 pieces of hair (1000 Haare)/ 367m knotted (367m geknotet)/ 1286 hours of work (1286 Arbeitsstunden)/ 307 tears 1 fragment (307 Tränen und ein Fragment)/ 3,7 x 4,7 x 4,1 cm. Thoughts on Jens Risch’s Hair Piece. 1973 born in Rudolstadt/Thüringen. 1985 migration to West Germany. 1993-1995 Hochschule für Gestaltung, Offenbach/Main. Lives since 2001 in Berlin. My Own Private Idaho (of Art). My Own Private Idaho (of Art).

2

Offlive | reciprocal turn

http://www.reciprocalturn.com/offlive

Offlive names the events that take place under the label reciprocal turn. Each Offlive is associated with a thematic issue. Check out the filmic and photographic documentations of releases, talks and other events. Offlive#THREE: Willkommen im Barbarium! Gute Körper, schlanke Gestalten, spitze Zähne, mutiger Blick, sanfte Ausstrahlung: Wer hat noch nicht, wer will nochmal? Offlive#two: Online Raum als Off-Space. Gesprächsrunde am 16.07.2015 im Rahmen der Jahresausstellung der HfG Karlsruhe. Wie verändern ...

3

My Own Private Idaho (of Art) | reciprocal turn

http://www.reciprocalturn.com/ausgabe/two/my-own-private-idaho-art

My Own Private Idaho (of Art). Print (A4, centered, one-sided). And fold before consumption. From 1901 onward, English author Violet Paget recorded her thoughts and experiences in front of artworks which were later published as. How will my concentration affect the experience of looking, or, how will the artwork affect my concentration? In what way does my perceiving of a statue alter my perception of the other visitors around me? The second edition of. Der Ursprung des Kunstwerks. Where did that vital d...

4

#two – not the frames, but the things | reciprocal turn

http://www.reciprocalturn.com/ausgabe/two

Two not the frames, but the things. The immediate impact that the material presence of artworks causes leads to the following question: How does the materiality of a concrete art object impact the viewer, and how does it relate to the viewer and the art-frame? Not the frames, but the things. Is a provocative trigger for a complex variety of responses. You are warmly invited to explore the contributions! Editorial by Mira Hirtz and Johanna Ziebritzki. My Own Private Idaho (of Art). Column by Daniel Neumann.

5

Archiv | reciprocal turn

http://www.reciprocalturn.com/ausgabe/two/editorial

THREE - BARBARIANS WANTED. Who is the Barbarian? From the ancient Greeks perspective: the multilingual, unmanly Persians. From the Romans perspective: the Nordic and Germanic peoples invading the Roman Empire. From the post 9/11 north-american perspective: the fundamentalist terrorists threatening our universal values. Who is the Barbarian? Let’s read the words of the greek poet Cavafy dedicated to that theme:. Waiting for the Barbarians. By Constantine P. Cafavy, 1904. Translated by George Barbanis.

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selbstdarstellungssucht.de selbstdarstellungssucht.de

Autoren - Selbstdarstellungssucht

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Wenn nicht explizit gekennzeichnet, liegen die Rechte für selbsterstelltes Bild- und Textmaterial bei Veronika Christine Dräxler. Verwendung und Vervielfältigung nur mit Einverständnis der Urheber. No fear of pop.

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16.07. Gesprächsrunde mit a/topic, AOYS/ZKM und cermâ | HfG - Kunstwissenschaft und Medientheorie

http://kunstwissenschaften.hfg-karlsruhe.de/news/1607-gesprächsrunde-mit-atopic-aoyszkm-und-cermâ

Name oder E-Mail: *. 1607 Gesprächsrunde mit a/topic, AOYS/ZKM und cermâ. Im Rahmen des Sommerlochs der Hochschule für Gestaltung Karlsruhe im Juli 2015, laden wir (reciprocal turn) zu einer Diskussionsrunde ein, bei der es um online Räume im künstlerischen Feld als Off-Space geht. Ein Ausstellungsraum (cermâ), zwei kuratierte Magazine (a/topic und reiprocal turn) und eine institutionelle Ausstellung ( AOYS. Wie kuratiert man einen online Raum? Wie verhalten sich Kunstwerke, Texte und Kritiken zueinander?

selbstdarstellungssucht.de selbstdarstellungssucht.de

Review Archive - Selbstdarstellungssucht

http://www.selbstdarstellungssucht.de/category/reviews

Endless Prototyping – Kunst trifft Industrie. Pflanzen, die aus Schadstoffen wertvolle Materialien herstellen. Kühe mit schmerzstillender Milch. Solche und andere Konzepte und Projekte, die noch nicht fertig, noch nicht ausgereift, noch nicht erprobt oder deren Aus- bzw. Fortgang noch unsicher sind, die aber gerade deswegen unheimlich spannend und inspirierend sind, zeigt die Ausstellung Human Factor Endless Prototyping bis zum 27. August in Berlin Mitte im DRIVE Volkswagen Group Forum. Das Hip-Hop Label...

selbstdarstellungssucht.de selbstdarstellungssucht.de

Caroline von Eichhorn - Selbstdarstellungssucht

http://www.selbstdarstellungssucht.de/autoren/caroline-von-eichhorn

Ich 22 Stunden im kasachischen Zug. Gehirne, #Wäscheleinen, #Kurzfilme. Hat eine SUCHT für:. Datteln im Speckmantel, Holunderblütensirup, Texte anfangen und nicht beenden. Habe beschlossen, dass ein analog geschossenes. August 19, 2016. Was heißt hier Hass? Wie Facebook Menschen zum Schweigen bringt. August 22, 2016. Human Factor - Endless. Verena war da. So wars:. August 22, 2016. Endless Prototyping – Kunst trifft Industrie. No fear of pop.

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Über - Selbstdarstellungssucht

http://www.selbstdarstellungssucht.de/uber

Selbstdarstellungssucht.de ist ein Autorenblog für junge Kunst, Kultur und digitale Identität. Selbstdarstellungssucht.de befasst sich mit dem Wandel von Identitätsfindung und -stiftung durch das Internet und die sozialen Medien, sowie aktuellen Strömungen in der postdigitalen Kunst- und Kulturszene. Das Autorenteam stellt interdisziplinär arbeitende Kunst- und Kreativschaffende, ihre Arbeiten, Arbeitsräume, Ideen und Veranstaltungen vor und gibt auch Einblick in den eigenen Arbeitsalltag. August 19, 2016.

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Naomi Clair Seow - Selbstdarstellungssucht

http://www.selbstdarstellungssucht.de/autoren/naomi-clair-seow

Im Haus meines Freundes in Berlin im Sommer 2014. Techno-Schallplatten, symmetrischen Formen und Wes Anderson-Filmen. Hat eine SUCHT für:. Sprache, elektronische Musik, Typographie und Third Wave Coffee. Habe beschlossen, dass ein analog geschossenes. August 19, 2016. Was heißt hier Hass? Wie Facebook Menschen zum Schweigen bringt. August 22, 2016. Human Factor - Endless. Verena war da. So wars:. August 22, 2016. Endless Prototyping – Kunst trifft Industrie. No fear of pop.

selbstdarstellungssucht.de selbstdarstellungssucht.de

News Archive - Selbstdarstellungssucht

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München zu Gesicht bekommen – Eine Installation im Bean Store. Das Schaufenster des Ladens fungiert als Ausstellungsfläche und spielt mit den Blicken der vorbeiziehenden Fußgänger: wo sonst im Bean Store Ware ausliegt und der Verkaufsraum betrachtet werden kann, blicken einen von innen über 100 Augenpaare an, die als Wand ans Fenster angebracht werden. Gebilde höchster Unpersönlichkeit: Fanzine #4. 2015 war ein Jahr für uns ein aufregendes Jahr und es geht so weiter! Camille Henrot The Pale Fox. Unter RE...

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#two – not the frames, but the things | reciprocal turn

Two not the frames, but the things. The immediate impact that the material presence of artworks causes leads to the following question: How does the materiality of a concrete art object impact the viewer, and how does it relate to the viewer and the art-frame? Not the frames, but the things. Is a provocative trigger for a complex variety of responses. You are warmly invited to explore the contributions! Editorial by Mira Hirtz and Johanna Ziebritzki. My Own Private Idaho (of Art). Column by Daniel Neumann.

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Reciprocans

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