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For future reference…

For future reference…. Part three in my series of posts on stuff I liked in 2016. These aren’t works created in the past year, but ones that had various effects on me, some of which I’ve written about before. Oracule A or B (Editing is Hard), by Dorothy Hickson. The Visitors, by Ragnar Kjartansson. Tejido espacio-tiempo ,. Sculpture, by Adam Curtis. Don’t tell anyone, but I stood inside it for a moment…because I could. I was feeling cheeky that day. Moor with Peonies, by Wilhelm Trübner. January 3, 2017.

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For future reference… | refdept.wordpress.com Reviews

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For future reference…. Part three in my series of posts on stuff I liked in 2016. These aren’t works created in the past year, but ones that had various effects on me, some of which I’ve written about before. Oracule A or B (Editing is Hard), by Dorothy Hickson. The Visitors, by Ragnar Kjartansson. Tejido espacio-tiempo ,. Sculpture, by Adam Curtis. Don’t tell anyone, but I stood inside it for a moment…because I could. I was feeling cheeky that day. Moor with Peonies, by Wilhelm Trübner. January 3, 2017.

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For future reference… | refdept.wordpress.com Reviews

https://refdept.wordpress.com

For future reference…. Part three in my series of posts on stuff I liked in 2016. These aren’t works created in the past year, but ones that had various effects on me, some of which I’ve written about before. Oracule A or B (Editing is Hard), by Dorothy Hickson. The Visitors, by Ragnar Kjartansson. Tejido espacio-tiempo ,. Sculpture, by Adam Curtis. Don’t tell anyone, but I stood inside it for a moment…because I could. I was feeling cheeky that day. Moor with Peonies, by Wilhelm Trübner. January 3, 2017.

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Art of 2016 – For future reference…

https://refdept.wordpress.com/2017/01/03/art-of-2016

For future reference…. Part three in my series of posts on stuff I liked in 2016. These aren’t works created in the past year, but ones that had various effects on me, some of which I’ve written about before. Oracule A or B (Editing is Hard), by Dorothy Hickson. The Visitors, by Ragnar Kjartansson. Tejido espacio-tiempo ,. Sculpture, by Adam Curtis. Don’t tell anyone, but I stood inside it for a moment…because I could. I was feeling cheeky that day. Moor with Peonies, by Wilhelm Trübner. January 3, 2017.

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Artomatic (for the people) – For future reference…

https://refdept.wordpress.com/2016/05/30/artomatic-for-the-people

For future reference…. Artomatic (for the people). At the Artomatic event last November-December, I purchased a pair of prints from my friend Dorothy Hickson. Yesterday she brought them to my house when she came out to the hinterlands to attend the current Artomatic. Things that make me happy about them that you can’t tell just by looking:. Assemblage for Artomatic 2012. That piece is lost, but these photographs of it appeared in the 2015 show and still live on…on my wall! May 30, 2016. May 29, 2016.

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How (and Why) to Define Your Teaching Philosophy | The ALP

https://theacademiclibrarypanel.wordpress.com/2014/11/14/how-and-why-to-define-your-teaching-philosophy

How (and Why) to Define Your Teaching Philosophy. November 14, 2014. How (and Why) to Define Your Teaching Philosophy. I first read Jessica Olin’s October 28 post “Bringing My Teaching Philosophy into Focus” on her collaborative blog, Letters to a Young Librarian. Before turning to Olin’s post, let’s look at the article that inspired it, Neil Haave’s “ Six Questions That Will Bring Your Teaching Philosophy into Focus. Describe the best learning experience you have had as a student. Defining this concept ...

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refdept.wordpress.com

For future reference…

For future reference…. Part three in my series of posts on stuff I liked in 2016. These aren’t works created in the past year, but ones that had various effects on me, some of which I’ve written about before. Oracule A or B (Editing is Hard), by Dorothy Hickson. The Visitors, by Ragnar Kjartansson. Tejido espacio-tiempo ,. Sculpture, by Adam Curtis. Don’t tell anyone, but I stood inside it for a moment…because I could. I was feeling cheeky that day. Moor with Peonies, by Wilhelm Trübner. January 3, 2017.

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