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Sound Art Performance Software | Investigating how electronic music is presented to an audienceInvestigating how electronic music is presented to an audience
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Investigating how electronic music is presented to an audience
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Sound Art Performance Software | Investigating how electronic music is presented to an audience | soundartinterface.wordpress.com Reviews
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Investigating how electronic music is presented to an audience
soundartinterface.wordpress.com
Tangible Interfaces | Sound Art Performance Software
https://soundartinterface.wordpress.com/2006/11/08/types-of-interfaces
Sound Art Performance Software. Investigating how electronic music is presented to an audience. The Tanglible interface places the emphasis on the physical movement of real world objects which interact with an audio visual software system. The design of these systems are often orientated towards providing a high level of accessibilty and clearly percievable outcomes from the process of user interaction. The author describes this tool as the following:. The reactable, is a multi-user electronic music inst...
Nime | Sound Art Performance Software
https://soundartinterface.wordpress.com/2006/11/08/nime
Sound Art Performance Software. Investigating how electronic music is presented to an audience. Nime (New Interfaces for Musical Expression) This is an annual international conference which demonstrates presents new developments in human computer interfaces. Http:/ www.nime.org/img/nime2004.mov. The link presented here inludes performance from the 2004 conference held in at Shizuoka University of Art and Culture in Japan. Http:/ itp.nyu.edu/nime/2007/. Feed You can leave a response. From your own site.
Sonasphere – Representating sound functions | Sound Art Performance Software
https://soundartinterface.wordpress.com/2006/11/03/sonasphere-representating-sound-functions
Sound Art Performance Software. Investigating how electronic music is presented to an audience. Sonasphere – Representating sound functions. SONASPHERE is a kinetically driven interactive music environment. In SONASPHERE, functional units, such as sound samples, effects and mixers, are represented as small spherical ‘Objects’ floating within 3D Space. Connections are made between these objects, using simple mouse interaction, to establish signal stream networks. (Nao Tokui 2003). From your own site.
8=8=Concert=Performance=Demo | Sound Art Performance Software
https://soundartinterface.wordpress.com/2006/11/03/88concertperformancedemo
Sound Art Performance Software. Investigating how electronic music is presented to an audience. Not Laptop based but interesting from the perpective of the relationship dynamic between the performers interface sound combination. This entry was posted on Friday, November 3rd, 2006 at 2:25 pm and is filed under Uncategorized. You can follow any responses to this entry through the RSS 2.0. Feed You can leave a response. From your own site. Laquo; Previous Post. Next Post ». March 30, 2012 at 3:24 am. Fill i...
Sound Art Performance Software | Investigating how electronic music is presented to an audience | Page 2
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Sound Art Performance Software. Investigating how electronic music is presented to an audience. An example of my performance. October 30, 2006. October 30, 2006. My Current Performance tool: Prifrone. This is the tool I currently use to perform live. The software is very mechanistic with seperate controls for each audio process. The audio is presented as a series of sketches. The actions which I carry out during the performance are not shown to the audience. October 30, 2006. October 30, 2006. All these ...
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soundarticles.mixinglivesound.com
Sound Articles
Articles Related to the Music Industry. A Place for Articles on the Music Industry. This new section of the Mixing Live Sound. Site offers articles on many topics related to the music industry. Sound Articles is an article directory focused on the music industry. I am reprinting some available articles here, but I hope that those with knowledge to share and an interest in being published on the Internet will add their own articles to this space. I hope you find something of value to you on this site!
soundarticulations.wordpress.com
Sound Articulations | A Trumpet Blog by Tim Swensen
A Trumpet Blog by Tim Swensen. Support Can Be Beautiful. Asymp; 2 Comments. Playing for Yourself, and Playing for Others. Asymp; Leave a comment. Air on the G String. With my organist friend for our weekly church service, another friend told me that it brought tears to her eyes. The context made it clear that she meant tears of joy. [Since it was the piccolo trumpet I played, it’s not a given that all tears are good ones. ;). It was a win-win. Asymp; 2 Comments. Now I can play the Brandenburg.”...Now, he...
Sound Artifacts
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Sound Art Performance Software | Investigating how electronic music is presented to an audience
Sound Art Performance Software. Investigating how electronic music is presented to an audience. November 2, 2009. Please note all research has moved to http:/ www.mrpauladams.com. November 8, 2006. The example here is of particular interest because it demonstrates a clear correllation between the actions of the user, the controller interface and the audio generated response:. The author describes this tool as the following:. The reactable, is a multi-user electronic music instrument with a tabletop tangi...
Welcome To Michael Kalik.com
Welcome One and All :). The Site is currently under development right now BUT. Michael's Album WALK is Released on 7th November 2014. Pre-Order / Buy It Here. Site and contents c.
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Holly Rumble
2008: Babygrand, Sonic Arts Network. 2010: Babygrand, Be Glad For The Song Has No End. 2010: Babygrand, Kettle’s Yard. 2011: Babygrand, Aid & Abet. 2011: Babygrand, Kettle’s Yard. 2008: Collaborations with Dot Howard. 2011: A Good Clean Run. 2011: Live art retreat, Ipswich. 2013: How to Avoid Making an Entrance of Yourself. 2014: 100 (im)practical performances. 2014: Banton to Govan, Jar by Jar. 2007: Sonic Arts Network Expo. 2010 onwards: One Minute Birdwatching. 2012: One Minute Birdwatching, Edinburgh.
