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The Operatunist | Musings on opera, ballet and theatre

Musings on opera, ballet and theatre

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The Operatunist | Musings on opera, ballet and theatre | theoperatunist.wordpress.com Reviews

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Musings on opera, ballet and theatre

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1

High Society – The Old Vic – July 22 2015 (matinee) | The Operatunist

https://theoperatunist.wordpress.com/2015/08/08/high-society-the-old-vic-july-22-2015-matinee

Musings on opera, ballet and theatre. English Surtitles/Supertitles and Seat-back systems. High Society – The Old Vic – July 22 2015 (matinee). 8220;hey, when you come in, we’re already onstage and acting! 8221; which I find a bit twee, the poor devils, it must extend their call times by about 30 minutes, on matinée days adding an hour or more, but they evidently love it, they burst with pizzazz – thank god, cause for a show about rich socialites (the 1950’s 1%ers), it needs some sparkle. Can sing, can a...

2

theoperatunist | The Operatunist

https://theoperatunist.wordpress.com/author/theoperatunist

Musings on opera, ballet and theatre. English Surtitles/Supertitles and Seat-back systems. I like opera, and fine Electric guitars. A Love Supreme: Swan Lake – Bolshoi Ballet (Smirnova, Chudin) – August 9 2016. It even seemed to go beyond those traducements, those alterations and interpolations, thanks to two heartfelt performances from both lead dancers. Olga Smironva and Semyon Chudin as Odette and Siegfried in Bolshoi Swan Lake. And if not love, then all is just dancing, however glorious that is. ...

3

English Surtitles/Supertitles and Seat-back systems | The Operatunist

https://theoperatunist.wordpress.com/english-surtitlessupertitles-and-seat-back-systems

Musings on opera, ballet and theatre. English Surtitles/Supertitles and Seat-back systems. English Surtitles/Supertitles and Seat-back systems. From http:/ www.oregonlive.com/performance/index.ssf/2012/09/supertitles help audiences get.html. This page is a list of Houses which have English surtitles/supertitles or seatback titles as an option. The list here shows opera houses in countries where the native language is not English. (Houses with a system that is English by default not included.). Is proud t...

4

One Goes Mad in Bayreuth | The Operatunist

https://theoperatunist.wordpress.com/2015/08/09/one-goes-mad-in-bayreuth

Musings on opera, ballet and theatre. English Surtitles/Supertitles and Seat-back systems. One Goes Mad in Bayreuth. I went to see Tristan and Isolde and Holländer. At the Bayreuth Festival. Would I go again? Perhaps not. For a few reasons:. It is really really hot inside the Festspielhaus. Inside it was probably at least 30 degrees in there. Doctors are on standby in case of illnesses. It can be really expensive to go in comfort. Hotels are marked up about 50%. Finding one is tough! Train (and rail repl...

5

The Bakkhai – The Almeida, July 23 2015 8pm | The Operatunist

https://theoperatunist.wordpress.com/2015/07/24/the-bakkhai-the-almeida-july-23-2015-8pm

Musings on opera, ballet and theatre. English Surtitles/Supertitles and Seat-back systems. The Bakkhai – The Almeida, July 23 2015 8pm. T: anyone expecting “the Ben Whishaw show” may be disappointed – (it’s not his show, it’s the ensemble’s – but he. Good,) in this new, largely faithful version of Euripides’ classic. Classical in execution, using just three actors and a chorus- James Macdonald. 8216;s new Bacchae (here rendered as Bakkhai) draws on a new version by Anne Carson. R, Melanie La Barrie.

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operatraveller | operatraveller

https://operatraveller.com/author/operatraveller

Operatic wanderer Flâneur lyrique. Audio and Video Recordings. Operatraveller’s Hot Operatic Tips for 2016 – 2017. Once again we have arrived at that time of the year where we look forward to what the coming season holds. As I have done for the last few years, […]. Read Article →. Help Support Operatraveller.com. As we come to the end of the season and my usual August break from opera-going, I wanted to share with you some thoughts on how things are going. I […]. Read Article →. Read Article →. Halévy La...

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The Struggle: Król Roger at the Royal Opera House | operatraveller

https://operatraveller.com/2015/05/02/the-struggle-krol-roger-at-the-royal-opera-house

Operatic wanderer Flâneur lyrique. Audio and Video Recordings. The Struggle: Król Roger at the Royal Opera House. Royal Opera Chorus, Orchestra of the Royal Opera House / Antonio Pappano. Stage director Kasper Holten. Royal Opera House, London. Friday, May 1st, 2015. This was the first performance of. PRODUCTION IMAGE (C) ROH. PHOTOGRAPHER BILL COOPER. PRODUCTION IMAGE (C) ROH. PHOTOGRAPHER BILL COOPER. MARIUSZ KWIECIEŃ AS KRÓL ROGER (C) ROH. PHOTOGRAPHER BILL COOPER. Orchestra of the Royal Opera House.

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Multiple Ideas: The Royal Opera’s Guillaume Tell | operatraveller

https://operatraveller.com/2015/07/03/multiple-ideas-the-royal-operas-guillaume-tell

Operatic wanderer Flâneur lyrique. Audio and Video Recordings. Multiple Ideas: The Royal Opera’s Guillaume Tell. Guillaume Tell Gerald Finley. Arnold Melcthal John Osborn. Walter Furst Alexander Vinogradov. Leuthold Samuel Dale Johnson. Royal Opera Chorus, Orchestra of the Royal Opera House / Antonio Pappano. Stage director Damiano Michieletto. Royal Opera House, London. Thursday, July 2nd, 2015. Sofia Fomina and Gerald Finley in Guillaume Tell ROH/Clive Barda. Orchestra of the Royal Opera House. 2 respo...

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Returning to the Images: Don Giovanni at the Royal Opera House | operatraveller

https://operatraveller.com/2015/06/21/returning-to-the-images-don-giovanni-at-the-royal-opera-house

Operatic wanderer Flâneur lyrique. Audio and Video Recordings. Returning to the Images: Don Giovanni at the Royal Opera House. Don Giovanni Christopher Maltman. Donna Anna Albina Shagimuratova. Donna Elvira Dorothea Röschmann. Don Ottavio Michele Angelini. Masetto Nahuel di Pierro. Royal Opera Chorus, Orchestra of the Royal Opera House / Alain Altinoglu. Stage director Kasper Holten. Royal Opera House, London. Saturday, June 20th, 2015. Kasper Holten’s staging of. Dorothea Röschmann as Elvira, Christophe...

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Opera review | operatraveller

https://operatraveller.com/category/opera-review

Operatic wanderer Flâneur lyrique. Audio and Video Recordings. Category Archives: Opera review. An Everyday Fairy-tale: Cendrillon at the Komische Oper, Berlin. Massenet Cendrillon. Pandolfe Werner van Mechelen Madame de la Haltière Agnes Zwierko Noémie Mirka Wagner Dorothée Zoe Kissa Lucette Nadja Mchantaf La Fée […]. Read Article →. In the realms of fantasy: Les Contes d’Hoffmann at the Komische Oper, Berlin. Read Article →. The Origins of Hate: La Juive at the Bayerische Staatsoper. Read Article →.

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Interview with Mariusz Kwiecien | operatraveller

https://operatraveller.com/2015/05/18/interview-with-mariusz-kwiecien

Operatic wanderer Flâneur lyrique. Audio and Video Recordings. Interview with Mariusz Kwiecien. Photo: M. Mikolajczyk. Mr Kwiecień, many congratulations on the first night of this new production of Król Roger. At the Royal Opera. If I’m not mistaken this is the fourth new production of the work that you have done after Paris/Madrid, Santa Fe, Bilbao and now here in London. How important is Król Roger. For you to perform? Is the adventure that I took a couple of years ago and it’s growing. Król Roger is a...

songstageandstory.blogspot.com songstageandstory.blogspot.com

Song, Stage and Story: Xerxes, Hampstead Garden Opera

http://songstageandstory.blogspot.com/2015/04/xerxes-hampstead-garden-opera.html

Song, Stage and Story. Wednesday, 29 April 2015. Xerxes, Hampstead Garden Opera. Tonight I saw Hampstead Garden Opera's production of Handel's Xerxes. In Italian). Xerxes. Struggled when it was first heard almost 300 years ago. It broke the opera seria. Mould by trying some humour and going easy on the da capo. Indeed the comedy in Xerxes. Subscribe to: Post Comments (Atom). Whatever the new thing is, you probably still need a story and good singing to make an opera work on stage. Royal Opera House News.

songstageandstory.blogspot.com songstageandstory.blogspot.com

Song, Stage and Story: How can opera survive in the 21st Century?

http://songstageandstory.blogspot.com/2015/05/how-can-opera-survive-in-21st-century.html

Song, Stage and Story. Thursday, 28 May 2015. How can opera survive in the 21st Century? I'm trying to think over this tremendously wide subject ahead of a conference hosted at the Royal Opera House on 6 and 7 June. In preparation I've been reading John Culshaw's extraordinary reminiscence of recording Wagner's Ring Cycle. For Decca in the 1960s, Ring Resounding. John Culshaw Ring Resounding. Martin Secker and Warburg, 1967, p261-262). As part of the Solti/Decca Ring. The Golden Ring' (1964). Opera Singi...

songstageandstory.blogspot.com songstageandstory.blogspot.com

Song, Stage and Story: Opera: telescoping with the voice

http://songstageandstory.blogspot.com/2015/05/opera-telescoping-with-voice.html

Song, Stage and Story. Wednesday, 20 May 2015. Opera: telescoping with the voice. From roh.org.uk. I went to see - and hear - the final performance of Szymanowski's King Roger. At the Royal Opera House last night. I liked it. The music is colourful, just this side of lurid. The orchestra spills out into the side boxes (the harps) and there's an off-stage organ, not to mention the chorus of course. It made me think about the recent trends for opera: the fad for immersive, site-specific and general close-p...

songstageandstory.blogspot.com songstageandstory.blogspot.com

Song, Stage and Story: Into The Little Hill, Shadwell Opera, Limehouse

http://songstageandstory.blogspot.com/2015/04/into-little-hill-shadwell-opera.html

Song, Stage and Story. Sunday, 19 April 2015. Into The Little Hill, Shadwell Opera, Limehouse. I was so glad to have caught Shadwell Opera. S final performance of George Benjamin's chamber opera Into The Little Hill. I was in the audience but concerned with whether the performance was catering for all the audience. Odd. In other words, I felt pressed to examine how different I might be from the people sitting around me. Then, as the performance progressed, the show itself pulled my attention ...Supercond...

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Musings on opera, ballet and theatre. English Surtitles/Supertitles and Seat-back systems. One Goes Mad in Bayreuth. I went to see Tristan and Isolde and Holländer. At the Bayreuth Festival. Would I go again? Perhaps not. For a few reasons:. It is really really hot inside the Festspielhaus. Inside it was probably at least 30 degrees in there. Doctors are on standby in case of illnesses. It can be really expensive to go in comfort. Hotels are marked up about 50%. Finding one is tough! Train (and rail repl...

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