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Tiffany Victoria Horan

Wednesday, 8 January 2014. A Case Study on the Curatorial Studentship at Tate Liverpool. I intend to focus this exploratory case study on the institutional aspects of the Tate Liverpool Curatorial Studentship, with particular reference to ‘Glam! What is ‘Glam! The Performance of Style’? 8220;Glam, a visually extravagant pop style exploded across Britain during the years 1971–5. … Glam! The Performance of Style is the first exhibition to explore glam style and sensibility in-depth. The exhibition inve...

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Wednesday, 8 January 2014. A Case Study on the Curatorial Studentship at Tate Liverpool. I intend to focus this exploratory case study on the institutional aspects of the Tate Liverpool Curatorial Studentship, with particular reference to ‘Glam! What is ‘Glam! The Performance of Style’? 8220;Glam, a visually extravagant pop style exploded across Britain during the years 1971–5. … Glam! The Performance of Style is the first exhibition to explore glam style and sensibility in-depth. The exhibition inve...
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Tiffany Victoria Horan | tiffanyhoran.blogspot.com Reviews

https://tiffanyhoran.blogspot.com

Wednesday, 8 January 2014. A Case Study on the Curatorial Studentship at Tate Liverpool. I intend to focus this exploratory case study on the institutional aspects of the Tate Liverpool Curatorial Studentship, with particular reference to ‘Glam! What is ‘Glam! The Performance of Style’? 8220;Glam, a visually extravagant pop style exploded across Britain during the years 1971–5. … Glam! The Performance of Style is the first exhibition to explore glam style and sensibility in-depth. The exhibition inve...

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Tiffany Victoria Horan: Exaggeration: Part II Edited

http://tiffanyhoran.blogspot.com/2012/05/exaggeration-part-ii.html

Sunday, 27 May 2012. Exaggeration: Part II Edited. Betty was a square, a real drag. Surrounded by friends, he saw her, ignored her. She walked to the bar with intention, she bought his favourite drink. ‘Would you like ice? I obliged, unaware that this was going to be one of several pocket patting predicaments. He stared at me, our plates cleared of food, bottles empty. I blew him a kiss. Can the situationist theory of dérive allow us to better navigate and develop cultural institutions? Review of Graham ...

2

Tiffany Victoria Horan: Anya Liftig Commentary

http://tiffanyhoran.blogspot.com/2012/03/anya-liftig-commentary.html

Wednesday, 28 March 2012. Commentary of Anya Liftig’s Performance 'Produce/Procreate'. Evening of performance presented by both Roves and Roams and OVADA. Written by Tiffany Horan. The audience were yet to take their seats; I watched Anya from the front row as she surveyed the room, removed her coat and sat down behind a large table covered in a blood red waterproof sheet. She moves the light towards it as though to say: do you like what you see? During the 1960s, an educational theorist published the re...

3

Tiffany Victoria Horan: Opinions and Intentions

http://tiffanyhoran.blogspot.com/2013/01/opinions-and-intentions.html

Thursday, 31 January 2013. I decided to rework and lengthen a previous post. Kant himself shows the way when he names ‘formlessness, the absence of form,’ as a possible index to the unpresentable.’. 8216;Mr Umanets said he had written on the painting, but insisted his aim was not to destroy or deface it.’. Would Rothko understand what this man was trying to achieve through his actions? How valuable is an artist’s work to the artist, if the artist is no longer living? London: Tate, 2008). Harrison, Charle...

4

Tiffany Victoria Horan: Can the situationist theory of dérive allow us to better navigate and develop cultural institutions?

http://tiffanyhoran.blogspot.com/2013/06/can-situationist-theory-of-derive-allow.html

Sunday, 23 June 2013. Can the situationist theory of dérive allow us to better navigate and develop cultural institutions? This essay focuses primarily on the ways in which key situationist texts such as. The Theory of Dérive. The Society of The Spectacle. 8216;La dérive’ is French for ‘drift’ or ‘drifting’, and was described as being one of the situationists basic practises,. How could one distinguish the important painting from the lesser painting if there was too much choice in the supermarket museum,...

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Tiffany Victoria Horan: Placing Audiences in relation to ‘The lunatics are on the loose... Fluxus European Festivals 1962-1977’

http://tiffanyhoran.blogspot.com/2013/06/placing-audiences-in-relation-to.html

Saturday, 22 June 2013. Placing Audiences in relation to ‘The lunatics are on the loose. Fluxus European Festivals 1962-1977’. Figure 1: George Maciunas, Fluxus Manifesto, 1963. The exhibition I have chosen to use as a case study for this particular essay was shown at MOCAK Muzeum Sztuki Współczesnej w Krakowie. Museum of Contemporary Art in Kraków) on the 19. Of October 2012 until the 27. Figure 2: The lunatics are on the loose… Illustration Credit: Tiffany Horan, 2013. In my opinion the works here are ...

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Tiffany Victoria Horan

Wednesday, 8 January 2014. A Case Study on the Curatorial Studentship at Tate Liverpool. I intend to focus this exploratory case study on the institutional aspects of the Tate Liverpool Curatorial Studentship, with particular reference to ‘Glam! What is ‘Glam! The Performance of Style’? 8220;Glam, a visually extravagant pop style exploded across Britain during the years 1971–5. … Glam! The Performance of Style is the first exhibition to explore glam style and sensibility in-depth. The exhibition inve...

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Tiffany Victoria Horan - Home

There are often days we question the authenticity of everything around us, we suffocate under the notion that being anything but true to one’s self and one's work is unthinkable. T is often hard to choose whether or not to ignore criticism, to take in that which is constructive, to choose whether or not to listen to the ideas of others. If you would like to help me fund my practice, please click the donate button below:. I also accept Dogecoin tips: DRXKvtK6MecS4j5JjawQAgr6GMRx1jSS6D.

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