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Crossing The Immanent in Secular Culture (Thought - Music). Masayuki Takayanagi and New Direction. Tokyo 1970. Freejazz/Noise/Feedback improvisations. Reminds me of an early version of Fushitsusha/Keiji Haino. Released in 1994 on the excellent PSF label. Incredible how fresh this album sounds. Maybe I just wasn't aware of the existence of this kind of heavy free rock/jazz experiments during the late sixties, early seventies. Could easily have been an Original Silence. Posted by tom jacobs. For twenty-fiv...

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Transcendental Enquiries | transcendentalenquiries.blogspot.com Reviews

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Crossing The Immanent in Secular Culture (Thought - Music). Masayuki Takayanagi and New Direction. Tokyo 1970. Freejazz/Noise/Feedback improvisations. Reminds me of an early version of Fushitsusha/Keiji Haino. Released in 1994 on the excellent PSF label. Incredible how fresh this album sounds. Maybe I just wasn't aware of the existence of this kind of heavy free rock/jazz experiments during the late sixties, early seventies. Could easily have been an Original Silence. Posted by tom jacobs. For twenty-fiv...

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Transcendental Enquiries | transcendentalenquiries.blogspot.com Reviews

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Crossing The Immanent in Secular Culture (Thought - Music). Masayuki Takayanagi and New Direction. Tokyo 1970. Freejazz/Noise/Feedback improvisations. Reminds me of an early version of Fushitsusha/Keiji Haino. Released in 1994 on the excellent PSF label. Incredible how fresh this album sounds. Maybe I just wasn't aware of the existence of this kind of heavy free rock/jazz experiments during the late sixties, early seventies. Could easily have been an Original Silence. Posted by tom jacobs. For twenty-fiv...

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transcendentalenquiries.blogspot.com

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Transcendental Enquiries: T.S. Eliot - Four Quartets

http://transcendentalenquiries.blogspot.com/2008/06/ts-eliot-four-quartets.html

Crossing The Immanent in Secular Culture (Thought - Music). TS Eliot - Four Quartets. Eliot reading 'Burnt Norton'. Posted by tom jacobs. 19 June 2008 at 22:12. Subscribe to: Post Comments (Atom). Music - Recent Revelations. Alexander Turnquist - Faint at the Loudest Hour. Cloudland Canyon - Lie in Light. Rivercrest - Etherische Chemie. Mammal - Lonesome Drifter. Suishou No Fune - the Shining Star. Ultralyd - Conditions for a Piece of Music. Tarentel - Ghetto Beats On The Surface Of The Sun 1-4.

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Transcendental Enquiries: Masonna - god of noise

http://transcendentalenquiries.blogspot.com/2008/08/masonna-god-of-noise_16.html

Crossing The Immanent in Secular Culture (Thought - Music). Masonna - god of noise. Posted by tom jacobs. Subscribe to: Post Comments (Atom). Music - Recent Revelations. Alexander Turnquist - Faint at the Loudest Hour. Cloudland Canyon - Lie in Light. Rivercrest - Etherische Chemie. Mammal - Lonesome Drifter. Suishou No Fune - the Shining Star. Ultralyd - Conditions for a Piece of Music. Tarentel - Ghetto Beats On The Surface Of The Sun 1-4. Zu and Spaceways Inc. - Radiale. Terry Riley - Atlantis Nath.

3

Transcendental Enquiries: Nothing Essential Happens in the Absence of Noise

http://transcendentalenquiries.blogspot.com/2008/08/nothing-essential-happens-in-absence-of.html

Crossing The Immanent in Secular Culture (Thought - Music). Nothing Essential Happens in the Absence of Noise. For twenty-five centuries, Western knowledge has tried to look upon the world. It has failed to understand that the world is not for the beholding. It is for hearing. It is not legible, but audible. Posted by tom jacobs. Subscribe to: Post Comments (Atom). Music - Recent Revelations. Alexander Turnquist - Faint at the Loudest Hour. Cloudland Canyon - Lie in Light. Rivercrest - Etherische Chemie.

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Transcendental Enquiries: Summer Reading

http://transcendentalenquiries.blogspot.com/2008/07/summer-reading.html

Crossing The Immanent in Secular Culture (Thought - Music). Repeating Ourselves. American Minimal Music as Cultural Practice. Where did musical minimalism come from—and what does it mean? Introduction. The Culture of Repetition. PART ONE: The Culture of Eros: Repetition as Desire Creation. 1 Do It ('til You're Satisfied): Repetitive Musics and Recombinant Desires. 2 "A Colorful Installment in the Twentieth-Century Drama of Consumer Subjectivity": Minimalism and the Phenomenology of Consumer Desire. Taren...

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Transcendental Enquiries: Alexander Tucker / Alexander Turnquist

http://transcendentalenquiries.blogspot.com/2008/06/alexander-tucker-alexander-turnquist.html

Crossing The Immanent in Secular Culture (Thought - Music). Alexander Tucker / Alexander Turnquist. Posted by tom jacobs. Subscribe to: Post Comments (Atom). Music - Recent Revelations. Alexander Turnquist - Faint at the Loudest Hour. Cloudland Canyon - Lie in Light. Rivercrest - Etherische Chemie. Mammal - Lonesome Drifter. Suishou No Fune - the Shining Star. Ultralyd - Conditions for a Piece of Music. Tarentel - Ghetto Beats On The Surface Of The Sun 1-4. Zu and Spaceways Inc. - Radiale. Je est un autre.

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The Science of Sollicitation. Derrida in English (1). Derrida in French (5). The Science of Sollicitation (2). Un histoire d’un obscurantiste terroriste? Reflections on Manichaeistic Ontology. A Short Note on Nothing. 4 C I T A T I O N S : Par le mot par commence donc ce texte. Marges de la philosophie. Signature, événement, contexte. Is the matheme transparent and exhausted by its phenomenality? Marges de la philosophie. Posted by Viro de Graphe-Matician. On May 25, 2011 · Leave a Comment. La disséminat...

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The Science of Sollicitation. Derrida in English (1). Derrida in French (5). The Science of Sollicitation (2). Un histoire d’un obscurantiste terroriste? Reflections on Manichaeistic Ontology. A Short Note on Nothing. 4 C I T A T I O N S : Par le mot par commence donc ce texte. Marges de la philosophie. Signature, événement, contexte. Is the matheme transparent and exhausted by its phenomenality? Un histoire d’un obscurantiste terroriste? Posted by Viro de Graphe-Matician. Middot; Tagged with faisceau.

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The Science of Sollicitation. Derrida in English (1). Derrida in French (5). The Science of Sollicitation (2). Un histoire d’un obscurantiste terroriste? Reflections on Manichaeistic Ontology. A Short Note on Nothing. 4 C I T A T I O N S : Par le mot par commence donc ce texte. Marges de la philosophie. Signature, événement, contexte. Is the matheme transparent and exhausted by its phenomenality? Is the matheme transparent and exhausted by its phenomenality? Posted by Viro de Graphe-Matician. Sit down ma...

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The Science of Sollicitation. Derrida in English (1). Derrida in French (5). The Science of Sollicitation (2). Un histoire d’un obscurantiste terroriste? Reflections on Manichaeistic Ontology. A Short Note on Nothing. 4 C I T A T I O N S : Par le mot par commence donc ce texte. Marges de la philosophie. Signature, événement, contexte. Is the matheme transparent and exhausted by its phenomenality? Reflections on Manichaeistic Ontology. Posted by Viro de Graphe-Matician. A Short Note on Nothing. On Septemb...

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The Science of Sollicitation. Derrida in English (1). Derrida in French (5). The Science of Sollicitation (2). Un histoire d’un obscurantiste terroriste? Reflections on Manichaeistic Ontology. A Short Note on Nothing. 4 C I T A T I O N S : Par le mot par commence donc ce texte. Marges de la philosophie. Signature, événement, contexte. Is the matheme transparent and exhausted by its phenomenality? Die Frage nach dem Ursprung der Geometrie als intentional-historisches Problem. Middot; Tagged with arrivance.

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The Science of Sollicitation. Derrida in English (1). Derrida in French (5). The Science of Sollicitation (2). Un histoire d’un obscurantiste terroriste? Reflections on Manichaeistic Ontology. A Short Note on Nothing. 4 C I T A T I O N S : Par le mot par commence donc ce texte. Marges de la philosophie. Signature, événement, contexte. Is the matheme transparent and exhausted by its phenomenality? On the Ideal Objectivity of Mathematical Symbols. Posted by Viro de Graphe-Matician. Work in progress. 22...

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Crossing The Immanent in Secular Culture (Thought - Music). Masayuki Takayanagi and New Direction. Tokyo 1970. Freejazz/Noise/Feedback improvisations. Reminds me of an early version of Fushitsusha/Keiji Haino. Released in 1994 on the excellent PSF label. Incredible how fresh this album sounds. Maybe I just wasn't aware of the existence of this kind of heavy free rock/jazz experiments during the late sixties, early seventies. Could easily have been an Original Silence. Posted by tom jacobs. For twenty-fiv...

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