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Glossary | shot4shot

https://shot4shot.wordpress.com/glossary

A film journal examining cinematic brilliance, one shot at a time. In addition to a definitions, I’ll throw in my 2 cents. 8211; an uninterrupted, i.e. continuous, single shot. “. 8221; comes from “one.” (As in “one shot.”) No cut-aways or additional coverage. A master shot. These shots often convey more “weight” because they are born of a single intention. Examples here. 8211; a filming technique that involves matting out the top and bottom of the film frame in the movie projector. For a full screen.

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OLIVER TWIST (1948, Lean) | shot4shot

https://shot4shot.wordpress.com/2011/06/28/oliver-twist-1948-lean

A film journal examining cinematic brilliance, one shot at a time. APOCALYPSE NOW (1979, Coppola). FUNNY GIRL (1968, Wyler). OLIVER TWIST (1948, Lean). June 28, 2011. This is a quick shot by David Lean, a real favorite of mine. He famously did two letter-perfect adaptations of Dickens’ work –. And today’s shot shows what a great visualist he was. Lean loved to figure out ways to visually express complex ideas in his films. For instance, when making. A Passage to India. Dickens wrote, “. Lean and his co-w...

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SUNRISE: A SONG OF TWO PEOPLE (Murnau, 1927) | shot4shot

https://shot4shot.wordpress.com/2014/04/15/sunrise-a-song-of-two-people-murnau-1927

A film journal examining cinematic brilliance, one shot at a time. BACK TO THE FUTURE (Zemeckis, 1985). SUNRISE: A SONG OF TWO PEOPLE (Murnau, 1927). April 15, 2014. Watched this movie the other night on a beautifully restored blu-ray transfer. For its time, the visuals in this film must have been startling and arresting. In fact, it won an Oscar at the first Academy Awards, for “ Unique and Artistic Production. Check out what happens in the. Video, second youtube below, at 2:35.). But I was surprised ju...

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TOUCH OF EVIL (1958, Welles) | shot4shot

https://shot4shot.wordpress.com/2011/06/17/touch-of-evil-1958-welles

A film journal examining cinematic brilliance, one shot at a time. MIDNIGHT SUN (2011, Baumgartner). CHILDREN OF MEN (2006, Cuarón). TOUCH OF EVIL (1958, Welles). June 17, 2011. Most people know about the beautiful master shot. At the top of this film, but Welles always spoke of another long oner in this film that he was more proud of. It’s the apartment interrogation scene from this stylish noir – a B picture elevated to classic status by the artistry of Orson Welles. 8211; If you do nothing else, watch...

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CHILDREN OF MEN (2006, Cuarón) | shot4shot

https://shot4shot.wordpress.com/2011/06/20/children-of-men-2006-cuaron

A film journal examining cinematic brilliance, one shot at a time. TOUCH OF EVIL (1958, Welles). APOCALYPSE NOW (1979, Coppola). CHILDREN OF MEN (2006, Cuarón). June 20, 2011. In terms of current work, Alfonso Cuarón. Is my favorite director. There I said it. Whether he’s posing for a faux promo pic (he’s above, right), directing a tiny character piece (. Y Tu Mama Tambien. Or a huge franchise. Is worth the price of admission just for its first half. Article from 2006 when. What I hate is when cinema is ...

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ICONIC oner | shot4shot

https://shot4shot.wordpress.com/2014/02/03/iconic-oner

A film journal examining cinematic brilliance, one shot at a time. Directors Guild Panel 2013. SUNRISE: A SONG OF TWO PEOPLE (Murnau, 1927). February 3, 2014. This shot is a no-brainer post, that is, I had to post it, because of its brilliance both in conception and execution. And what’s more, we get to see exactly how it was shot. A little master class. Iconic images from DaVinci to Daft Punk in less than a minute, and then a oner of how it was shot. Enjoy! And the making of –. Feb 05, 2014.

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BACK TO THE FUTURE (Zemeckis, 1985) | shot4shot

https://shot4shot.wordpress.com/2014/11/15/back-to-the-future-zemeckis-1985

A film journal examining cinematic brilliance, one shot at a time. SUNRISE: A SONG OF TWO PEOPLE (Murnau, 1927). SPIELBERG ONERS (Zhou, 2014). BACK TO THE FUTURE (Zemeckis, 1985). November 15, 2014. Couldn’t have done this better myself, so I post it here. This by the same guy, Jamie Benning. This is his short doc (3 min) on Zemeckis. 8216; gorgeously detailed and story-rich opening shot from BACK TO THE FUTURE. With Benning’s own interview with the special effects man, Kevin Pike. 1975) for Universal&#4...

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SPIELBERG ONERS (Zhou, 2014) | shot4shot

https://shot4shot.wordpress.com/2015/05/06/spielberg-oners-zhou-2014

A film journal examining cinematic brilliance, one shot at a time. BACK TO THE FUTURE (Zemeckis, 1985). MAD MEN: AN APPRECIATION. SPIELBERG ONERS (Zhou, 2014). May 6, 2015. I really enjoy the work that Tony Zhou does with his. Every Frame a Painting. On repeat play, and his exploration of Edgar Wright’s visual comedy. Is as fun as it is inspired. You may not always agree with him, but you’ll have a stimulating and productive time articulating why. From Bogdanovich to Spielberg. Every Frame a Painting.

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PAPER MOON (1973, Bogdanovich) | shot4shot

https://shot4shot.wordpress.com/2011/05/07/paper-moon-1973-bogdanovich

A film journal examining cinematic brilliance, one shot at a time. ALWAYS (1989, Spielberg). EXORCIST III (1990, Blatty). PAPER MOON (1973, Bogdanovich). May 7, 2011. Check out the newly minted glossary. Link on above menu-bar, if you need any clarification on that term). Nothing beats, in terms of performance and overall impact, this amazing single shot from. It’s such a simple thing – on the surface – but took Bogdanovich a grueling day and half to get this short scene. May 14, 2011. May 14, 2011.

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John Baumgartner's Research

John Baumgartner's Research. Skip to primary content. Skip to secondary content. The end of the line for error bars in R. November 6, 2013. When plotting in R, I often use the. Function to add lines representing confidence intervals. This is a very simple way to plot lines connecting pairs of x,y coordinates. Recently I discovered that by default, segments are styled with rounded line caps, which add to their length. This means, of course, that confidence intervals are slightly wider than intended. A sec...

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